The mix depends on where the data is, that's why it's so important to look at the individual channels to see what's there that's important.
For people, particularly under tungsten illumination, the mix goes up in red, down in green, and blue is not important at all. For outdoor scenes, usually I find the red channel goes up, the green down, and blue way up to get what I want. Godfrey On Dec 17, 2006, at 7:33 PM, Paul Stenquist wrote: > Hmmm. Interesting. I use the channel mixer as well. But I start from > a much different position: 90 red, 8 blue, 6 green and -4 constant. I > tried your starting combination on my laptop, and the results were > similar but less contrasty. But I have to experiment on my photo > computer, which has a calibrated monitor. It's interesting, however, > that radically different settings don't produce radically different > results. -- PDML Pentax-Discuss Mail List [email protected] http://pdml.net/mailman/listinfo/pdml_pdml.net
