Scott Loveless wrote:
> On 12/29/06, W. Guy Finley <[EMAIL PROTECTED]> wrote:
> 
>>Hello all!  Found this list after intensely studying Stan's Pentax
>>page trying to figure out what in the world I was doing with lenses
>>for my new baby.
>>
>>I learned on my dad's K1000 (more later) and after a hiatus until
>>early adulthood I got back into photography but went Canon with an
>>EOS-3 and a Tokina 28-80/2.8 as my mainstay lens and a couple of
>>primes.  I went broke feeding film into that camera so when digital
>>started hitting it big I grabbed a Canon G3 and ditched my EOS
>>system.  I then had a Sigma SD-9 and then a Sony DMC-V1 that I went
>>to the extent of getting a Metz 50 MZ-5 system for.
>>
>>The Sony has long since been wanting to be retired so I started
>>looking at another bridge camera.  That's when I saw reviews for the
>>new Pentax K digitals.  I had thought about an ist-D a bit back but
>>never made the leap.  I went and found the trusty K1000 and sure
>>enough the M 50/2 and Takumar 135/2.8 were still with it.  Not the
>>best lenses in the world but hey, a start.  When I saw these would
>>work with the new digitals I  made the leap and went for K110D
>>deciding I really didn't need shake reduction.
> 
> 
> The M50/2, while not the best of the Pentax 50s, is certainly a good
> lens.  Common wisdom dictates that it's almost impossible to come
> across a dog of a 50.  I have that lens and an M50/1.7.  The 50/1.7 is
> slightly sharper and it does get mounted on the K100 from time to
> time.  I mostly shoot B&W film and actually prefer the contrast of the
> 50/2 for that application.  Of course, this is a matter of personal
> taste.  I've never mounted the 50/2 on a digital body so I really
> can't comment on that.
> 

The M50/2 works really nicely on my K100D. I'm now using it only as a reversed 
macro as I ran across an A 50/2 and a A 50/1.7 over the last two weeks. The f2 
is probably the better portrait lens of the two, the 1.7 is a little too sharp 
to be really flattering.

-Adam



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