I've yet to see a decent 35mm scan from a flatbed, mostly because the 
holders suck horribly. MF and LF scans on the other hand can get quite 
good with the higher-end scanners, if not quite up to a Nikon 9000's output.

-Adam

Markus Maurer wrote:
> I can even see a difference between the Canon 9900F flatbed scanner and a
> Minolta Dual Scan 2 filmscanner very well here when scanning ccolor negative
> film.
> And  the Canon is one of the better flatbed scanners for its age. I would
> love to have access to a high end one...
> greetings
> Markus
> 
> 
> -----Original Message-----
> From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Behalf Of
> Shel Belinkoff
> Sent: Tuesday, January 02, 2007 12:54 PM
> To: Pentax-Discuss Mail List
> Subject: RE: Scanning
> 
> 
> For years I've been touting the various iterations of the Imacon here often
> to be met with comments about people not seeing any appreciable difference,
> comments (based on some technical crap or web articles) that a good flat
> bed scanner is comparable or almost as good, etc.  I'm very glad to see
> that someone finally agrees with my assessment of the scanner.  Now, if you
> want to "kick it up a notch," get a good scan on a real drum scanner, like
> the Heidelberg Tango (when "good enough" is not good enough).  Compare that
> to any of the Epsons, and even some Imacons.  Be careful that you don't
> step on your jaw <LOL>
> 
> I am fortunate in that I can rent time on a couple of the mid- and high-end
> Imacons, and can get good support and scanning advice from an expert on the
> subject, who is usually right there when I'm scanning.
> 
> Shel
> 
> 
> 
>> [Original Message]
>> From: Paul Stenquist
> 
>> For several years, I scanned all my 6x7 transparencies and negs on an
>> Epson 3200. The results were nice. I sold quite a few as stock and
>> many to magazines. When I went to visit my friend the other day, he
>> asked me to bring some transparencies that I had confidence in
>> regarding sharpness and exposure. I brought a few car shots from one
>> of my magazine articles. He scanned them on an Imacon. Wow. I  was
>> impressed. I printed one on the 2400 when I got home. An amazing
>> difference. Not just in sharpness or detail resolution, but shadow
>> detail and color gradation as well. Now I just have to find a
>> benefactor to buy me an Imacon. When I have time, I'll prepare a 100%
>> crop comparison, since I still have my original scans.
> 
> 
> 
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