If anything, moving the wall a bit farther away might be effective. Personally, I'd leave it the way it is. Very nice.
On 1/26/07, Godfrey DiGiorgi <[EMAIL PROTECTED]> wrote: > Thanks for the additional comments ... Paul, Michael, Mark, Harry, > Boris, Bruce, et al! > > I have about 8-12 exposures of this scene where I varied the dividing > line of the wall, foreground and background, and the focus point. How > the wall, the foreground and the background interact, where the focus > zone is placed, are all pretty important in this kind of photo. > > In the end, this is the framing and focus zone I like most as it > enhances the near-far relationships and creates that feel of several > planes in one view. My eye rests naturally in the bottom third and > reaches up into the distance. I also feel it works best with the rest > of the set. > > But that's my opinion ... which in this case I get to stand by having > tried the other crops and such and not liking them as much. > > I love this stuff. :-) > > Godfrey > > > mark hahn (amongst others) wrote: > > I'm not big on how the wall divided the photo up > > either... > > >> http://homepage.mac.com/ramarren/photo/PAW7/04.htm > > -- > PDML Pentax-Discuss Mail List > [email protected] > http://pdml.net/mailman/listinfo/pdml_pdml.net > -- Scott Loveless http://www.twosixteen.com Shoot more film! -- PDML Pentax-Discuss Mail List [email protected] http://pdml.net/mailman/listinfo/pdml_pdml.net
