Nooooo
I've done this right a 1000 times. And the strategy for a (too) bright sky
sky IS the same as for a backlit scenry.
And - so why does the *ist D do the exact scenery right (not over
compensating)?
Regards
Jens Bladt
Nytarkort / Greeting Card:
http://www.jensbladt.dk/godtnytaar2007/lydshow.html

http://www.jensbladt.dk
+45 56 63 77 11
+45 23 43 85 77
Skype: jensbladt248

-----Oprindelig meddelelse-----
Fra: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] vegne af William
Robb
Sendt: 10. februar 2007 19:55
Til: Pentax-Discuss Mail List
Emne: Re: *ist-Ds Vs. K10D image quality?



----- Original Message -----
From: "Jens Bladt"
Subject: RE: *ist-Ds Vs. K10D image quality?



> Regarding exposure, I'll do som emore test tomorrow, evenly lit scenes
> (walls, grey card etc.) as well ad contraty ones, im order tio figure out
> if
> the meter is off or if the matrix metering is over reacting. Surely I
> can't
> live with this.
>
> When photographing a a scenery with a very bright sky (very common in the
> northern parts og the world) I must dial in MINUS CORRECTION, when using
> the
> K10D. This is the exact opposite of what I have done for the last 30
> years!
> I could never get used to this. My K10D requires reversed backlight
> compensation. Surely that can't be right!
>

It soulds to me like the metering is compensating the sky as if it was a
backlit scene (overexposing to ensure sufficient exposure to the subject).
This is what we call subject failure in the industry.
I think you will find the meter is behaving normally, and that you will need
to adjust your metering strategy for this scene type.

William Robb


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