The printer looks like it comes with a small trial of the enhance matte to try.

I'll be using Epson papers.

I use the Epson Glossy and will add the better glossy to the workflow.

I suppose the built in profiles for the three types of paper will suffice.

Dave

On 2/11/07, Godfrey DiGiorgi <[EMAIL PROTECTED]> wrote:
> I don't use Windows enough to comment on the screen calibration and
> configuraiton setup for that environment.
>
> On Feb 11, 2007, at 8:28 AM, David J Brooks wrote:
>
> > ... Now, i'll be setting up the 2400asap. Should i expect the
> > priints to
> > look like they do on the monitor now.
> >
> > Before with my uncal monitor and the S800, they were close, but i can
> > see difference's in shade of grass etc.The colours shifted close to
> > screen after they dried about an hour or so.
> > Should i see the same with the 2400??
>
> Presuming you use a profiled printing workflow and have a good
> profile for the paper you're using, prints should match your screen
> to within a very small range of deviation after dry down. Depending
> upon what I'm printing, dry down can take an hour or a day: B&Ws with
> lots of deep tones and color prints with lots of highly saturated
> colors load the paper with a lot of ink, they take the longest to dry
> down.
>
> (Note that I use only Matte surface papers. Glossy papers might be
> different ...)
>
> I find profiles included with the R2400 for Epson Enhanced Matte and
> Velvet Fine Art papers are superb, they work beautifully with a
> profiled workflow when printing from both Photoshop CS2 and Lightroom
> v4.1 beta. The ones supplied for Moab Kayenta and Hahnemühle Fine Art
> Photo Rag are not as accurate, I've gotten better results with both
> going to the print driver's Advanced Color/B&W Controls. I suspect
> that if I want to use them a lot, I'll need to have custom profiles
> made up or get a print profiling package.
>
> Godfrey
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-- 
Equine Photography
www.caughtinmotion.com
Ontario Canada

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