> I'm able to 
> get a greater dynamic range than I can print.

Isn't that normal?  Scanning Velvia is an education in that respect.

> 
> From: "P. J. Alling" <[EMAIL PROTECTED]>
> Date: 2007/03/08 Thu PM 12:51:17 GMT
> To: Pentax-Discuss Mail List <[email protected]>
> Subject: Re: beauty shot: Pentax K10D- 17mm lenses are out there
> 
> Interesting, I would have thought that it would do better.  I'm able to 
> get a greater dynamic range than I can print.  ACR, even the previous 
> version, is supposed to be one of the best converters.
> 
> J. C. O'Connell wrote:
> > ACR, not the newest version, I am using
> > with PS CS(1)
> > jco
> >
> > -----Original Message-----
> > From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
> > P. J. Alling
> > Sent: Wednesday, March 07, 2007 6:12 PM
> > To: Pentax-Discuss Mail List
> > Subject: Re: beauty shot: Pentax K10D- 17mm lenses are out there
> >
> >
> > Which raw converter are you using?
> >
> > J. C. O'Connell wrote:
> >   
> >> Well, only 8 stops out of print film has got
> >> to be a mistake of some sorts, I have
> >> seen numbers reported as high as 15 stops
> >> out this type of film and I know for
> >> a fact there is like 3 stops of LATITUDE
> >> alone on the good slow color neg films,
> >> (not to be confused with dynamic
> >> range )which would be impossible if there
> >> was only 8 stops total range.
> >>
> >> I did some tests with the DS shooting
> >> RAW and found that I was unable to record
> >> capture what I could easily see, even using
> >> raw. The exposure latitude with that camera is
> >> much smaller than color neg film.
> >>
> >> jco
> >>
> >> -----Original Message-----
> >> From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf 
> >> Of William Robb
> >> Sent: Wednesday, March 07, 2007 3:55 PM
> >> To: Pentax-Discuss Mail List
> >> Subject: Re: beauty shot: Pentax K10D- 17mm lenses are out there
> >>
> >>
> >>
> >> ----- Original Message -----
> >> From: "Peter Lacus"
> >> Subject: Re: beauty shot: Pentax K10D- 17mm lenses are out there
> >>
> >>
> >>   
> >>     
> >>> Bill,
> >>>
> >>>     
> >>>       
> >>>> DSLR cameras are showing 10 stops or more of dynamic range, which is
> >>>>         
> >
> >   
> >>>> about 3 stops more than that of print film, probably 5 stops more 
> >>>> range than slide
> >>>> film.
> >>>>       
> >>>>         
> >>> IMHO there's only one definitive truth - film emulsions react to the
> >>> light in a different way than linear digital sensors. Indeed it's
> >>>       
> > much
> >   
> >>>     
> >>>       
> >>   
> >>     
> >>> easier to extract useful data from digital RAW files but does it 
> >>> prove
> >>>     
> >>>       
> >>   
> >>     
> >>> that digital sensor captures wider dynamic range? IMHO it proves that
> >>> current scanners are not capable of extracting data from the film
> >>>       
> > more
> >   
> >>>     
> >>>       
> >>   
> >>     
> >>> than anything else.
> >>>     
> >>>       
> >> I'd have to dig out my charts from when I was learning the Zone 
> >> System, but my recollection is that I was never able to get more than 
> >> 9-10 stops out of
> >> B&W film without going to very exotic processing methods.
> >> My experience working as a QC technician in the photo lab industry
> >> indicated 
> >> to me that print film, when measured on a densitometer, was incapable
> >>     
> > of
> >   
> >> givng more than 7-8 stops of dynamic range.
> >>
> >> My observations were not dependant on scanner limitations or paper 
> >> dynamic ranges, but on direct measurement of film samples using a 
> >> device designed
> >> specifically for that purpose.
> >>
> >> William Robb
> >>
> >>
> >>   
> >>     
> >
> >
> >   
> 
> 
> -- 
> Entropy Seminar: The results of a five yeer studee ntu the sekend lw uf 
> thurmodynamiks aand itz inevibl fxt hon shewb rt nslpn raq liot.
> 
> 
> -- 
> PDML Pentax-Discuss Mail List
> [email protected]
> http://pdml.net/mailman/listinfo/pdml_pdml.net
> 


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