I can be "dismayed" and still hold it together.
I could have added that it's a common experience for any who enter
photo contests.

Jack
--- Paul Stenquist <[EMAIL PROTECTED]> wrote:

> I'm not dismayed. Surprised by some choices, but that's true of every
>  
> selective show or website I've ever dealt with.
> Paul
> On Mar 21, 2007, at 10:26 AM, Jack Davis wrote:
> 
> > My incidental comment: We've all been dismayed by the
> inconsistencies
> > in judging. A photo which may have been honored with a first place
> > ranking in a well attended inventory of work assembled by a
> respected
> > gallery, would reasonably be expected to show well in most judged
> > exhibits. Not the case.
> >
> > Jack
> > --- Mark Roberts <[EMAIL PROTECTED]> wrote:
> >
> >> Paul Stenquist wrote:
> >>
> >>> Yep. Either the people who do the pickin' like 'em or they don't.
> >>> Fairly simple. Their taste doesn't correspond exactly to mine,
> and I
> >>
> >>> suspect others feel the same way. But, hey, it's their gallery.
> >>
> >> Precisely.
> >>
> >> Furthermore, I've come to realize that I *already know* which
> shots
> >> of
> >> mine *I* like best ;-)  Part of the value in a selective gallery
> (or
> >> a
> >> photography contest) is specifically in gaining some insight into
> >> what
> >> *other* people like. Sure, any artist has to please
> himself/herself
> >> first and foremost. But if the only person you please is yourself
> >> you're not going to get anywhere. Moreover, if you're only
> pleasing
> >> yourself you clearly aren't communicating with, or connecting to,
> >> anyone else with your photographs. You can't possibly expect to
> >> please
> >> everybody, but that shouldn't be taken as an excuse to reject or
> >> ignore
> >> all other opinions.
> >>
> >> Another thing that's useful about selective galleries or contests
> is
> >> that they encourage you to think about *why* you disagree with the
> >> official selections. Thinking about why you like what you like
> (and
> >> how
> >> to achieve it) is a crucial part of growing and improving as a
> >> photographer. Even learning about opinions with which I may
> disagree
> >> is
> >> valuable.
> >>
> >> If the Gallery accepted every shot I submitted and put it in their
> >> Premier Collection it would be a huge ego boost, but I wouldn't
> learn
> >>
> >> anything.
> >>
> >> In light of all this, it certainly would be helpful if they
> provided
> >> some commentary to explain why photos were declined, but I can
> >> understand that there's no possible way they would have time for
> >> this.
> >> The note on the web site that says they'll provide a reason for
> >> declined shots was clearly intended to refer to technical issues
> like
> >>
> >> "not taken with a Pentax camera". They'll eventually remove that
> text
> >>
> >> or at least fix the wording, but this gallery is a huge
> undertaking
> >> and
> >> these projects never have all the staff they need. Heck, two weeks
> >> ago
> >> their list of Pentax cameras didn't even include the MX (for
> shame!)
> >> and last time I checked, their lens list didn't include the
> original
> >> "K" series.
> >>
> >> After weeks/months of being too busy, I'm determined to get out
> and
> >> do
> >> some shooting this weekend and I think the Pentax Gallery has
> played
> >> a
> >> major part in motivating me. Come to think of it, it's having
> shots
> >> declined by the Gallery that's the biggest motivator.
> >>
> >>
> >> -- 
> >> PDML Pentax-Discuss Mail List
> >> [email protected]
> >> http://pdml.net/mailman/listinfo/pdml_pdml.net
> >>
> >
> >
> >
> >
> >
>
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