Igor,

There is a slight difference in the linearity of the actuator movement
on the A and later lenses.  The Super A/Super Program and later
cameras (but not the LX) anticipate using this more linear scale.
(That means everything from P3's thru SF1's thru PZ-1p's thru the
K10D.)

The older K and M lenses had a bit of non-linearity in the movement of
the aperture lever and the K and M series cameras anticipated that.
When they added the "A" setting, Time-Valued automation became
possible, not just the traditional Aperture-Valued automation on
exposures.  Pentax accomplished this with a more linear set of
aperture lever movements/settings.  I suspect it was less fiddley to
F6.1 is x% of the way open vs y% between f 5.6 and f 6.3.

In practice, I've wondered about it, but never been able to notice any
difference in the slides my cameras produced with "A" vs K or M
lenses.  I always attributed any differenced to the light transmission
qualities of the lens itself.

Regards,  Bob S.

On 3/26/07, Igor Roshchin <[EMAIL PROTECTED]> wrote:
>
>
> Hello!
>
> Sorry for bringing up this question that may be known to most
> of the people here. I just realized that I don't know it, and couldn't
> find the information on the KMP site or elsewhere on the web.
>
> This question is about aperture control design.
> For the A and later lenses that have "A" setting on the aperture ring, -
> what is the step of the actual aperture setting in this mode?
> If it doesn't coinside with F-stops or 1/2-F-stops, then is it
> body-dependent (i.e. is one body more capable to utilize
> sub-1/2-f-stops then another) or is it standardized?
>
> I realize that the motion of the diaphragm actuator in the lens is
> stepless, so it is up to the body to choose the steps, if any
> (is it determined by the DAC bitness?)
>
> Thank you,
>
> Igor
>
>
>
>
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