After working as a photographer for 10 years, I went to work for Eric Wagman, one of the best studio portrait photographers I've had the pleasure to know. I worked in Eric's lab for three weeks before he would accept a complete set of proofs that I printed. Proofs were the most important prints to come out of the lab. Why? Because that is what he sold from. Without good proofs, there would never be any final prints.
On Saturday 20 October 2001 08:56, [EMAIL PROTECTED] wrote: > Dave O'Brien commented: > (*) Starting with the idea that even if proofs don't have to look > as spectacular as final prints, it'd be nice if they were good > enough to actually _judge_ the frame by. -- Kenneth Archer + San Antonio, Texas [EMAIL PROTECTED] ICQ #24980801 Powered by Linux ++ Mailed by Kmail - This message is from the Pentax-Discuss Mail List. To unsubscribe, go to http://www.pdml.net and follow the directions. Don't forget to visit the Pentax Users' Gallery at http://pug.komkon.org .
