Igor,
I've no experience with the D-FA 100/2.8 Macro, but the A100/2.8 Macro
is a favorite of mine.  The 'flat field' is very handy for copy work
and the Marco is great.  I wasn't happy with my results on landscapes
and thought other lenses did better.  I didn't use it for portraits as
I prefered the M 85mm f2 as smaller/lighter and easier to focus.  Your
milage may vary.
Regards,  Bob S.

On 5/3/07, Igor Roshchin <[EMAIL PROTECTED]> wrote:
>
> Hello everybody!
>
> I think I understand what "flat field" lens means.
> (e.g. per http://www.wisner.com/myth.htm )
> My question: what is the _practical_ implication of the lens with a
> very flat field?
>
> More specifically, - if I were to use the D-FA 100/2.8 Macro as a
> portrait lens - what would be the drawbacks/side-effects/...?
> Both the theoretical description/explanation and personal experience
> with this lens in this particular regard are appreciated.
>
> Thank you,
>
> Igor
>
>
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