Thanks for the link, David. I've always just thrown my digital IR into B&W and then toned it (as I would any B&W shot) using Duotones or Tritones. But I tried some of the processes used on the site you reference and they worked nicely.
A few shots from this afternoon are here (ignore the stuff after the 3 IR shots.) - http://www.markcassino.com/galleries/stream/stream07.htm I always wanted to get some color in my IR shots - and this seems to do the trick. I took a WB reading off the 'grass' (it's pretty dry and more like un-cut hay) *with* the IR filter on the camera. the coloration is more or less straight form the camera after that, with some PS tweaking. It's interesting - after taking a few shots with that WB and then processing them in PS, it was easy to figure out how just do it from any WB in Photoshop. Now I can go back and re-work my old shots. I guess it's alway easier to reverse-engineer than to engineer... But I like the effect! Thanks again for the link - MCC David J Brooks wrote: > http://digitalphotographer.com.ph/forum/forumdisplay.php?f=64 > > Found this doing some surfing this morning. I'm still looking for a > good WB and work flow for my digital IR and this guy seems to have a > bunch. > > He uses the K10D and Lonnnnnng exposures, which i found, but the istD > still gives shorter exposures, so its my ir camera. > He also uses Custom WB off of green grass, with and with out the filter. > > If this is old news, my apologises > > Dave > -- - - - - - - - - - - - - - - - - - - - - Mark Cassino Photography Kalamazoo, Michigan www.markcassino.com - - - - - - - - - - - - - - - - - - - - -- PDML Pentax-Discuss Mail List [email protected] http://pdml.net/mailman/listinfo/pdml_pdml.net
