On 8/21/07, John Sessoms <[EMAIL PROTECTED]> wrote:
> Actually, if you're shooting C-41 and not doing any push/pull stuff, any
> of the mini-labs should be able to process the film adequately.
>
> It's really all automated, and there's very little they can do to mess
> it up, other than not notice you've handed them a roll of plus-X or
> Ektachrome ... and whose fault is that?
>
> Scanning & printing, OTOH, is something else.
>
> Most mini-labs are digital hybrid. Your film is scanned and the RA-4
> paper is exposed using lasers. The paper is then developed the regular
> old fashioned way. How good the print is depends on how dedicated the
> person running printer is; whether he does his control strips and setups
> diligently, maintains his chemistry properly and whether he knows what a
> good print looks like.
>
> The lab I run, you'll get a good print if you come there while I'm on
> duty. Wish I could say you'd get a good print whoever is on duty, but I
> can't.
>
> Mini-labs scan the film at whatever resolution is needed to give a good
> 300 dpi print. I think the suggestion for a dedicated film scanner of
> your own is probably a good idea.

For sure, the last time I used special film I sent it to an online job
and make darn sure they knew what they were developing.  I tend to
agree, my picutres look farily decent wherever I get them developed
but sometimes a problem can occur (I recently had some developed near
my parents house and the contrast came out odd).  Mostly I wish I
could get photos scanned to digital with a nice quality, like I said,
the ones I get look so grainy I may as buy a digital point and shoot.

If you're going to say that you're good at developing film, please
tell me where you are so I can drop some off!  I have some color
negative film I've been hesitating to develop because I don't want it
messed up...

rg2

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