Not that I know a lot, but I vote shoot your flash off the ceiling, if you can. Or cover it with thin fabric, like fine linen (maybe rip a bit of bridal gown?) If you've ever seen a sample book from a gel company for theatrical lighting you might have noticed that the swatches are almost the perfect size to cover most flashes, and you can experiment with the various frost filters. There's something to be said for changing the quality of light before it hits your lens - it's almost like setting up those fancy flash umbrellas with only a flash that fits in your pocket. I don't know, do they have things like this for flashes and I'm just being silly? I never looked, and until recently my flash has been sitting wasting away for years, ravaged for batteries for a gameboy and left ignored until I pulled out my gel book and noticed they were the same size. Anyways, if anyone wants some theatre gels I have extra.
rg2 On 8/26/07, William Robb <[EMAIL PROTECTED]> wrote: > > ----- Original Message ----- > From: "Paul Stenquist" > Subject: Re: Wedding photography > > > > Shoot weddings. Shooting weddings is like going to boot camp. It's > > training. Ya gotta do it. Or you go back to week one. > > It's like golf. If you want to be good at it, you have to do it on a weekly > basis. Or, you might not see the point of the game, and not bother, but in > that case, stay off the course. > > William Robb > > > -- > PDML Pentax-Discuss Mail List > [email protected] > http://pdml.net/mailman/listinfo/pdml_pdml.net > -- PDML Pentax-Discuss Mail List [email protected] http://pdml.net/mailman/listinfo/pdml_pdml.net
