good deal :o)

On 9/7/07, Tom C <[EMAIL PROTECTED]> wrote:
> Capsaicin  is the chemical, Capsicum is the plant genus.
>
>
> Tom C.
>
>
>
> >From: Rebekah <[EMAIL PROTECTED]>
> >Reply-To: Pentax-Discuss Mail List <[email protected]>
> >To: "Pentax-Discuss Mail List" <[email protected]>
> >Subject: Re: Metering Question
> >Date: Fri, 7 Sep 2007 18:32:57 -0400
> >
> > >Totally OT - Chocolate covered jalapenos.  Now there's a combination to
> >be
> > >marketed! Sounds like a winner combining the 'feel good' chocolate
> >effects and >the endorphines produced by the capsaicin burn.
> >
> >whoa, bad idea!  It's hard to start eating spicy stuff because you
> >don't want to feel the burn when you come off the endorphine high...if
> >choclate was included, you'd get so fat so fast...man...I think it's
> >capsicum by the way...
> >
> >
> >rg2
> >
> >
> >On 9/7/07, Tom C <[EMAIL PROTECTED]> wrote:
> > > Totally OT - Chocolate covered jalapenos.  Now there's a combination to
> >be
> > > marketed! Sounds like a
> > > winner combining the 'feel good' chocolate effects and the endorphines
> > > produced by the capsaicin
> > > burn.
> > >
> > > Tom C.
> > >
> > >
> > > >From: "Bob Blakely" <[EMAIL PROTECTED]>
> > > >Reply-To: Pentax-Discuss Mail List <[email protected]>
> > > >To: "Pentax-Discuss Mail List" <[email protected]>
> > > >Subject: Re: Metering Question
> > > >Date: Fri, 7 Sep 2007 14:49:37 -0700
> > > >
> > > >No one here says it would be easier. Further, no one cares if you
> >choose to
> > > >hand hold because you find it easier. That's your business.
> > > >
> > > >I question the idea that it's "...almost impossible to frame correctly
> >when
> > > >using a tripod." ... and shooting a train was your example. This may be
> > > >true
> > > >for you and/or with the gear with which you tried it, but a tripod, as
> >in
> > > >all tripods, seems pretty broad.
> > > >
> > > >I have an excellent Gitzo pan head for use with my movie camera. Works
> > > >pretty damn good. Control is excellent. I've never put any of my Pentax
> > > >gear
> > > >on it though.
> > > >
> > > >Regards,
> > > >Bob...
> > > >--------------------------------------------------------
> > > >"Life isn't like a box of chocolates . .
> > > >it's more like a jar of jalapenos.
> > > >What you do today, might burn your butt tomorrow."
> > > >
> > > >----- Original Message -----
> > > >From: "Glen Tortorella" <[EMAIL PROTECTED]>
> > > >
> > > >
> > > > >I have done it many times.  It is much easier when holding the camera
> > > > > with one's hands.
> > > > >
> > > > > Glen
> > > > >
> > > > > On Sep 7, 2007, at 3:47 PM, [EMAIL PROTECTED] wrote:
> > > > >
> > > > >> I have no idea what you're asking. You said the movie folk make it
> > > > >> look easy. I tried to explain that while it may look easy in the
> > > > >> finished product, it takes a lot of work to get there. Nothing
> > > > >> more. Peter attempted to make the same point. When shooting with a
> > > > >> camera on tripod with a movie head or any head, you don't get a
> > > > >> chance to frame before you shoot -- assuming you haven't hired a
> > > > >> train and crew to work with you. You make your best guess and try
> > > > >> to keep the train in frame as it roars by. That's easier when
> > > > >> you're handholding. Been there, done that.
> > > > >> Paul
> > > > >>  -------------- Original message ----------------------
> > > > >> From: "Bob Blakely" <[EMAIL PROTECTED]>
> > > > >>> You keep the train in frame the "frame" of your choice until you
> > > > >>> pass the
> > > > >>> point of shutter trip. You can know where that point is whether
> > > > >>> you hand
> > > > >>> hold or use a tripod.
> > > > >>>
> > > > >>> Regards,
> > > > >>> Bob...
> > > > >>> --------------------------------------------------------
> > > > >>> "Life isn't like a box of chocolates . .
> > > > >>> it's more like a jar of jalapenos.
> > > > >>> What you do today, might burn your butt tomorrow."
> > > > >>>
> > > > >>> ----- Original Message -----
> > > > >>> From: <[EMAIL PROTECTED]>
> > > > >>>
> > > > >>>
> > > > >>>> And the movie folk get as many takes as they want. "Okay, back
> > > > >>>> her up and
> > > > >>>> do it again."
> > > > >>>
> > > > >>> And you don't - and the difference between your hand holding and
> > > > >>> letting a
> > > > >>> movie head hold the weight of the camera and reduce vibration
> > > > >>> is... what?
> > > > >>>
> > > > >>>> Not to mention that they can get their frame and focus  with the
> > > > >>>> train
> > > > >>>> parked.
> > > > >>>
> > > > >>> And you THINK you can't - and the difference between your hand
> > > > >>> holding and
> > > > >>> letting a movie head hold the weight of the camera and reduce
> > > > >>> vibration
> > > > >>> is... what?
> > > > >>>
> > > > >>>> G[e]nerally, they mark the lens for different focus points along
> >the
> > > > >>>> track, and as the train moves with the camera rolling, the camera
> > > > >>>> assistant "pulls focus."
> > > > >>>
> > > > >>> And you don't have this convenience - and the difference between
> > > > >>> your hand
> > > > >>> holding and letting a movie head hold the weight of the camera and
> > > > >>> reduce
> > > > >>> vibration is... what?
> > > > >>>
> > > > >>>
> > > > >>>
> > > > >>> --
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