That a good take on it Frank

Dave

On 10/16/07, frank theriault <[EMAIL PROTECTED]> wrote:
> On 10/16/07, Godfrey DiGiorgi <[EMAIL PROTECTED]> wrote:
> > Paul,
> >
> > With all due respect, from your words you simply don't 'get' street
> > photography. <snip>
>
> Oh dear!  Yet another thread on "what is street photography".
>
> So, not that anyone cares, but here's my take:
>
> I remember Shel (not to pick on Shel, who I love to death, irascible
> tho' he could be) once chiding me, asking "how many frames did you
> take of that subject?", then telling me that I should chat and
> otherwise interact with my "street" subjects, get to know them a bit,
> make them feel comfortable with me while I shoot.
>
> You know what?  That worked for Shel.  It's worked for many
> photographers.  Sometimes it works for me.
>
> Other times I prefer to be a stealthy "fly on the wall".
>
> There's no right or wrong for street photography.  HCB wanted to be
> "invisible" to his subjects.  He rarely shot more than two frames of
> one event (that according to his long-time developer) before moving
> on.  That's in direct opposition to someone like Gary Winogrand, who
> shot rolls and rolls of the same subject.
>
> There are no rules.  In fact, I think there's no such thing as "street
> photography".  One simply takes photographs.  Either they work or they
> don't.  Often they work for some (like this one of Paul's that works
> for me) but not for others.
>
> cheers,
> frank
>
>
>
>
>
>
> --
> "Sharpness is a bourgeois concept."  -Henri Cartier-Bresson
>
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-- 
Equine Photography
www.caughtinmotion.com
http://brooksinthecountry.blogspot.com/
Ontario Canada

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