Thanks to all for your suggestions.

I'll have to think about these, they're all
intriguing.

Cheers.

-Brendan
--- Anthony Farr <[EMAIL PROTECTED]> wrote:

> When I could get it easily, I used fully exposed and
> developed roll
> film...... sixty inch wide roll film that is.  It
> could be used like
> any roll background either base up for a reflective
> surface or emusion
> up for a beatiful satin surface.  Double reflections
> were unheard of.
> 
> Lithographic film was the blackest and had the
> glossiest base, but was
> prone to pinholes.  Continuous tone film, while it
> didn't develop out
> as intensely black, was more dependably flawless.
> 
> I don't know if the graphic arts industry even uses
> film anymore, but
> it should be available for making contact printing
> internegatives for
> platinum / palladium printing.
> 
> regards,
> Anthony Farr
> 
> On 16/11/2007, Brendan MacRae
> <[EMAIL PROTECTED]> wrote:
> > Does anyone do product shots on dark (black)
> > reflective material that produces good, even
> > reflections?
> >
> > I'm currently stumped working on a shoot for a
> local
> > company. I have to shoot some video components on
> > black (easy enough) but I'd like some good natural
> > reflection from the surface they rest on.
> >
> > I've already tried tempered glass over black cloth
> > (velour) but the reflections double up and look
> > god-awful. There's a PS trick for reflections but
> it's
> > simply too much work for anything but straight on
> > views. All of my shots are oblique angles.
> >
> > This guy had a really good idea:
> >
> >
>
http://strobist.blogspot.com/2006/08/on-assignment-shoot-your-shiny-new.html
> >
> > But, there's no way I'm going to find a piece of
> > granite as big as I need it (30" x 48" roughly)
> and it
> > would be way too expensive in any event.
> >
> > Any suggestions?
> >
> > Thanks ahead of time.
> >
> > -Brendan
> >
> >
> >     
>
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