Thanks, Charles. Mounting a flash high above the subject and washing
the wall of shadows can work well. "Cheating" the subject away from the
wall to a distance where somewhat elevated flash unit shadows will not
reach the wall can work.
The existence of shadows in the circumstances I mentioned in my initial
post were a frustration, the cause of which had escaped me prior to
Paul's explanation.

Jack
--- Charles Robinson <[EMAIL PROTECTED]> wrote:

> On Nov 21, 2007, at 15:58, Jack Davis wrote:
> 
> > Only for the sake of discussion (actually I can't discuss the  
> > question,
> > only raise it), why don't two lights (540 flash units for example) 
> 
> > wash
> > out or cancel each other's shadows?
> > Example: one flash on either side on a plane with the camera,
> lighting
> > a common subject.
> > Must assume perfection in placement with respect to all distances
> and
> > angles even though it's not a requirement. Offered to avoid the
> issue
> > being raised.
> > I've known for sometime that the 'wash out' doesn't happen, but the
> > only answer I've ever gotten; "they just don't".
> >
> 
> Can't answer the question, but I avoid the issue by doing it this
> way:
> 
> I use a flash in front of the subject (on camera) and a second one  
> behind the subject to light up the wall behind them.
> 
> That way, the rear flash has more power (closer to the wall) than
> your  
> head-on flash and "tada!" no shadows.
> 
> Example here (headshot for work) (warning! full-sized image!):
> 
> http://charles.robinsontwins.org/photos/2007/imgp8627_heather.jpg
> 
> This photo was taken with the camera rotated ccw, with the flash  
> (af540fgz) rotated upwards and a sto-fen on top of the on-camera
> flash  
> to smooth things out.  The Sigma EF500DG was on a table behind her  
> aimed upwards at a 45-degree angle to hit the wall.
> 
> This ain't art, it's just a photo for work.  :-)
> 
>   -Charles
> 
> --
> Charles Robinson - [EMAIL PROTECTED]
> Minneapolis, MN
> http://charles.robinsontwins.org
> 
> 
> 
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