That wuld be artful cmmunicatin. I have a leltter that sticks. Dn't  
yu hate it when a letter sticks?
On Feb 12, 2008, at 4:29 PM, [EMAIL PROTECTED] wrote:

> Sally Mann's "What Remains," a 2003 photographic collection, is  
> considered  pictorialism and is well regarded. Others still attempt  
> similar manipulations. Pictorialism may not please everyone, but it  
> is stil a worthy pursuit. I personally attempt to record moments in  
> time and generally subscribe to that schoool of photography insofar  
> as my meager talent will allow.  (In fact, I've been called a  
> voyeur and sniper for not wanting to impact those moments.) But I  
> can be open minded about any artistic pursuit. Nothing is unworthy  
> or outdated. It is possible to achieve artful communicatin in a  
> variety of ways.
> Paul
>  -------------- Original message ----------------------
> From: "Bob W" <[EMAIL PROTECTED]>
>> I must have missed the first part of your rant, and I'm still not  
>> sure
>> what you're saying here. Is this part "But the vigorous amateur  
>> verité
>> **style [...] the gift of photography was the instantaneous reality"
>> something that you're saying, or something the documentary is saying?
>>
>> You haven't included a link to the NYPD crime scene either, so we
>> don't know what you're comparing to the Steichen picture or, indeed,
>> which you prefer.
>>
>> What I'm inferring from your so-called rant is that you disagree with
>> the claim that pictorialism was an artistic dead end. But this is
>> true, and quite clear from the history of art photography. You, and
>> many other people, might like or be moved by pictorialism above other
>> forms of photography, but that doesn't alter the fact of the matter
>> which is that nothing worthwhile has developed from pictorialism as
>> far as capital A art photography is concerned. I have the very  
>> highest
>> regard for the founders of pictorialism when it was at the very  
>> centre
>> of art photography - people like P H Emerson, Steichen, Steiglitz and
>> so on, but nobody in the world of art photography has done
>> pictorialism for a century.
>>
>> This statement "the gift of photography was the instantaneous  
>> reality"
>> is also unarguably true. I can't tell if it's your claim or the
>> documentary's claim, but it is a proposition that I have argued for
>> many times in the past, including on this forum. The single thing  
>> that
>> distinguishes photography from all the other representational  
>> media is
>> precisely its ability to capture an instant in time completely
>> unmediated by the 'artist' or operator or whatever you want to call
>> the person.
>>
>> What is the amateur verite **style, and what does it have to do with
>> pictorialism? And why have you used 2 asterisks in front of style?
>>
>> Bob
>>
>>> -----Original Message-----
>>> From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On
>>> Behalf Of Derby Chang
>>> Sent: 12 February 2008 09:34
>>> To: Pentax-Discuss Mail List
>>> Subject: The Genius of Photography
>>>
>>> Sorry for continuing on my rant. The seed was sown a little
>>> while ago by
>>> this dastardly BBC series
>>>
>>> http://www.bbc.co.uk/photography/genius/
>>>
>>> One of the strong themes in an early episode was "Pictorialism was
>> an
>>> artistic dead end". But the vigorous amateur verité **style has
>> been,
>>> and still is, the driving force of photography as a medium. Whereas
>>> Steiglitz and his movement withdrew into smaller and smaller
>>> ranges of
>>> subject matter and styles, the gift of photography was the
>>> instantaneous
>>> reality. The photos of the NY Police Dept Crime scene in
>>> comparison with
>>> the most expensive print on the planet
>>> (http://en.wikipedia.org/wiki/The_Pond-Moonlight) is
>>> startling. I know
>>> which one moves me.
>>>
>>> D
>>
>>
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