I think that was a contact print he was working on - the bank of  
lights was in lieu of an enlarger lamp?

stan

On Mar 19, 2008, at 5:32 PM, Jack Davis wrote:

> Believe I saw the same show, Frank. Was a surprisingly athletic
> exposure performance. I didn't quite get the reason the large bank of
> very bright lights in the area. You?
>
> Jack
> --- frank theriault <[EMAIL PROTECTED]> wrote:
>
>> On Wed, Mar 19, 2008 at 4:21 PM, Bill Owens <[EMAIL PROTECTED]>
>> wrote:
>>> The two most interesting things I learned after viewing the PBS
>> show the
>>>  other evening.  Ansel was an accomplished musician, and the fact
>> that he
>>>  considered a negative similar to a musical score and the print was
>> the
>>>  performers interpretation of the score.
>>>
>>>  Also, along these lines, I think he would have loved to be able to
>> use
>>>  PhotoShop.
>>
>> I don't know if that was the documentary I saw on him a couple of
>> years ago - whether it was or not, I'm sure it was interesting.
>>
>> The one I saw showed him dodging and otherwise exposing a huge print
>> in the darkroom, and it was as if he were dancing!  Very cool.
>>
>> Given that he was something of a control-freak (or "precise" -
>> whatever works best for you...) WRT both negative and print
>> exposures,
>> I don't doubt he'd have loved PS.  It would have given him the
>> control
>> of the process that he wanted with much more precision than any
>> darkroom could.
>>
>> Interesting observation, Bill.
>>
>> cheers,
>> frank
>>
>> -- 
>> "Sharpness is a bourgeois concept." -Henri Cartier-Bresson
>>
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