Bruce,
Thanks for the comments.
It WAS a mostly- cloudy time of the day, though the image turned out a
little more gray online than it is in the print (I'm still learning the
digitizing process).
The crop being that shape is a function of the shape of the hole in the
fence and my wanting to give some sense of where the cars were going and
where they were going.  I wanted to try to convey some of the sweeping
effect of that turn.  I tried it with more of the left side cut off but
didn't like it as much.
It was manually focussed.  I think I picked a tire mark or a place in the
rumble strip to focus on.
 I liked the headlights too :)))
Thanks for the comments.

Cory Waters
missing motorsports already
----- Original Message -----
From: "Bruce Dayton" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: Friday, November 30, 2001 4:32 AM
Subject: November PUG comments


<SNIP>

> "The Esses" - by  Cory Waters
>
> My first glance at this made me think the fence was actually some
> overcase clouds.  The effect is quite interesting.  I'm sure Cory did
> not have that in mind.  I had thought the panoramic crop was a little
> odd for this image until I viewed the uncropped one.  I think that the
> crop is basically in the right place.  It might not have hurt to crop
> the sides a bit too.  I'm surprised by how great the DOF is.  It
> really helps here to keep both cars in focus.
>
> For some reason, my eyes keep wandering to the right as I view this
> photo.  I'm not sure if it is anticipation of the cars moving off to
> the right or some inbalance in the image.  It does have a *dark*
> feeling to it overall.  Seems like an overcast day or maybe early
> evening.  I like the headlights begin on, but not overpowering.
> Catching the cars through this section seems like a tricky task. I'm
> curious whether you used AF or pre-focused.
>
> Cory, a very likable shot
>

<SNIP>

>  Bruce Dayton
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