While it might be a good philosophy when trying to cull the gallery,
it doesn't do much for the learning to improve your shooting.  It is
by examining the shots while you still remember details of shooting
that helps you learn how to improve your skills.

-- 
Best regards,
Bruce


Monday, October 6, 2008, 12:44:30 PM, you wrote:

JC> Back when I was an art student and was in my first photography class, my
JC> professor (Alice Shaw, www.aliceshaw.com) was giving a slide show about
JC> famous fine art photographers and their creative processes.

JC> One photographer she mentioned, whose name I wish I could remember,
JC> would take photos and process the film, but not look at the negatives
JC> for about a year.  This would help to remove sentimental attachments he
JC> might have with the images and allow him to more objectively select
JC> photos to print.  This struck me as a very good idea, especially since I
JC> always feel immensely sentimental about things I create, even if they're
JC> bad.

JC> So, while I have been slowly rebuilding my website's gallery since last
JC> winter, I've been trying to apply this philosophy to my own work.  I
JC> have been taking lots of photos this year, but not really doing anything
JC> with them (aside from a few exceptions, such as the birth of my nephew).
JC>  Working with photos that I took in college and after has helped me see
JC> just how bad some of the photos are that I used to think were great. 
JC> It's difficult to resist the temptation to work on this year's photos,
JC> but I keep telling myself it'll be worth it in the long run.

JC> What sort of philosphy do you have when working with your photos, both
JC> old and new?

JC> John

JC> --
JC> http://www.neovenator.com
JC> http://www.cafepress.com/neovenatorphoto



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