On Sat, Nov 15, 2008 at 1:08 PM, PN Stenquist <[EMAIL PROTECTED]> wrote:
> I shoot 99.9% of my pans in camera, and it is easier under most
> circumstances. And at the race track, it's really the only way. But as you
> said, the photographer and subject have to be in the right place at the
> right time. Another variable is the constant acceleration of a drag car.
> Doubling the speed every second or so makes a consistent pan very difficult.
> Paul

And thats why i like straigh racing.:-)

BTW  its still a very good photo.:-)

Dave
> On Nov 15, 2008, at 12:46 PM, John Francis wrote:
>
>> On Sat, Nov 15, 2008 at 11:16:29AM -0500, Doug Franklin wrote:
>>>
>>> PN Stenquist wrote:
>>>
>>>> Many of the pans you see in magazines that aren't part of race coverage
>>>> are "shot" this way. Fun with PhotoShop.
>>>
>>> You're *far* more adept at Photoshop than I am. :-)
>>
>> I'm sure you've had enough practice at the track to make it easier
>> for you to get the effect in-camera rather than in post-processing.
>>
>> I've been able to get good pan shots with focal lengths easily as
>> short as the one Paul used for the static shot (and even with my
>> old Canon G1 point-and-shoot), so there aren't any technological
>> reasons why this couldn't have been the case here.  But the other
>> issues Paul mentions rule - if both the photographer and the subject
>> aren't in the right places at the right time you don't get the shot.
>>
>>
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-- 
Equine Photography
www.caughtinmotion.com
http://brooksinthecountry.blogspot.com/
Ontario Canada

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