On Wed, Mar 11, 2009 at 08:51:20AM +0100, AlunFoto scripsit:
> A photograph is never more trustworthy than the photographer who took it.

Oh, the Great Blue Satan sodomize their nostrils with the frozen corpses
of rats.

Everybody lives in a construct their brain makes out of sensory
impressions and history and an element of happenstance; it's not an
objective reality.

Truth is a statement of belief about the contents of that constructed
reality.

Facts are those things than can be repeatably agreed on without
reference to any specific person or person's constructed reality.

Even intent to deceive is not altogether improper; suspension of
disbelief is a legitimate goal when you're trying to convey emotion.
Doesn't matter if the facial expression in the picture title "Hope" was
brought on by the smell of coffee, actual hope, or the fleeting
awareness that the drugs were kicking in and the suicide should be
successful.

People take things based on the Pirate Rule -- AARR, for authority,
apriority, repetition, and rigour.  A photograph can get to all of
those, but the photographer can never entirely predict what it's going
to do, because the observer matters.

To say the photographer is entirely responsible is too much; the
observer owns their own head.  To say that the photographer is never
responsible is too much, too; they have intent and craft and striving in
there, in whatever degree.

The craft and the striving can get into the realm of facts; the intent
and the art, if art there be, can't get there.  And that's OK.

-- Graydon

The stone was dropped by the quarry-side, and the idle derrick swung,
While each man talked of the aims of art, and each in an alien tongue.
 -- Rudyard Kipling, "The Conundrum of the Workshops"

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