Reading the doom and gloom forum again Paul.n They tend to get pretty
paranoid about the 16-50.
They do like the 50-135 a lot

Dave

Dave

On Sun, Mar 22, 2009 at 12:46 PM, Paul Stenquist
<[email protected]> wrote:
> DA* 16-50 paranoia is upon us again. Since I use mine almost every day, I
> figured I ought to show a sample of how it renders the most CA prone subject
> possible: dark tree branches against a white sky. Yes, I know that no one in
> their right mind shoots tree branches against white sky, but sometimes they
> end up in frame, as they did here. Here's the entire frame:
> http://photo.net/photodb/photo?photo_id=8817194
>
> And here is a crop of  the branches against the sky at 100%:
> http://photo.net/photodb/photo?photo_id=8817201
> There's some glow around the street lamp. Don't know that I'd call it CA.
> Speaking in purely technical terms and having examined it at a pixel level,
> I think I would categorize it as "glow."
>
> Hair against sky can also be a problem. Some of  my FA primes produce
> considerable CA shooting digitally in these conditions. Here's Grace's hair
> against the sky at 100%, cropped from the above frame:
>
> http://photo.net/photodb/photo?photo_id=8817198
>
> Look at the horrible band of green atop her head!! Oh wait, that's a
> headband.
>
> Seriously, the DA 16-50 s is probably the most CA-free (or perhaps second
> best to the DA* 50-135) from among my twenty or so Pentax lenses. Two of the
> worst offenders are the A400/5.6 and the esteemed K 85/1.8. That being said
> I still use both of those lenses and consider them excellent, particularly
> the latter. But I don't shoot branches with them:-).
>
> Paul
>
>
>
>
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-- 
Equine Photography
www.caughtinmotion.com
http://brooksinthecountry.blogspot.com/
Ontario Canada

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