It's also sometimes a matter of individual style.
There are some excellent photographers on the list who I
am extremely unlikely to critique simply because their eye
and mine are so different (Godfrey and Frank, for example).
Nor am I likely to comment on any of Paul's pictures of Grace.


On Tue, Apr 14, 2009 at 10:38:51AM -0700, Bruce Dayton wrote:
> This is a very interesting subject.  I suspect many of us have
> different feelings about it.  I'll lay out some of my thoughts.
> 
> I am not a big fan of 'me too' type of responses - it does give a
> warm fuzzy for the photographer but not much beyond that.  However, a
> critique or at least some thought out drivel takes time.  So if the
> volume of photos is high, that can be difficult.  This is one reason
> I struggle with saying much of anything about a GESO, there are too
> many pics to spend time writing about.  So, time becomes one element
> that is impacting.
> 
> Another issue is the level of the photographer.  We, on the list, are
> at different levels of photography along with different genres, alone
> with different goals and aspirations.  So with this in mind, the
> critique should take into account who the photographer is and provide
> meaningful input for them.  That means that the critiquer needs to
> know the critiquee and be somewhat familiar with their work.  That
> becomes another element of impact.
> 
> Enough blathering from me for the moment...
> 
> -- 
> Bruce
> 
> 
> Monday, April 13, 2009, 6:48:49 PM, you wrote:
> 
> DB> Ken Waller wrote:
> >> Well stated.
> >> 
> >> I'd be very interested to hear your comments about critiques made on 
> >> this forum - off line if you prefer.
> 
> DB> I'd be interested in this discussion.
> 
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