Nor does the K20 when in Burst Mode.
When shooting in RAW, you should be able to get HDR from a single shot
in post by creating two or three versions from the RAW data, each
taking advantage of the limits of the RAW data high and low, then
combining them using Photoshops HDR.
Have you tried the HDR Digital Filter in the K20 yet? Page 194-196
On May 14, 2009, at 13:08 , AlunFoto wrote:
Video cameras don't have mechanical shutters at all, though. :-)
Jostein
2009/5/14 P. J. Alling <p_all...@hotmail.com>:
Electronic control of the shutter independent of the mirror is
probably
easier to implement than mechanical control. It wouldn't need tight
tolerances between what are essentially separate mechanical
subsystems. I
kind of thought that might already be the case.
AlunFoto wrote:
No idea if it's possible to make the shutter re-cock mechanism
independent of the mirror-return mechanism. That's what it reqires,
though...
Jostein
2009/5/14 Larry Colen <l...@red4est.com>:
It seems to me that it should be possible to expand dynamic range
by
firing off two (or three) frames on the same shutter press. It
wouldn't work for sports, but for many shots even the motion in 1/5
second (assuming 5 FPS) would be acceptable. If the mirror is the
limiting factor, maybe 1/50 second rather thant 1/5 second between
frames would be doable.
Especially since a lot of the time when I have rough dynamic range
issues, I'm already shooting at something like 1/10 second, so two
frames of 1/10 second and 1/80 or 1/160 second would be a good
match,
and the "stutter" between the two frames would be negligable
compared
with the blur.
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