On 1/6/09, Joseph McAllister, discombobulated, unleashed:

>This discussion has triggered my earliest digital camera memories,
>back when TV studios were still using tubes to image.
>
>My camera was about the size of the Hubble, flew in orbits between 250
>and 175 miles depending on requirements, and could image items on
>earth as small as 40 inches (one meter +). In 1976. By the time I left
>the project in 1987, it could image items as small as a loaf of sliced
>American bread. Some said as small as a golf ball, but that's a
>contrast thing, not resolution. You could tell if someone had a hat or
>helmet on, and if their shirt was long sleeved or short.
>
>The sensor consisted of three overlapping strips of CCD sensor about
>2" long and 1/4 inch wide.
>                            _________________
>  ______________                               _____________
>
>Like that. They could image either in "still mode" or "strip mode". In
>either case they were capturing the image as it crossed the sensors
>and the satellite cruised by overhead. In strip mode you could take in
>a 10 to 60 mile wide area (vertical or oblique) by as long as you
>wanted. The bird was stabilized and pointed (positioned) quite rapidly
>if need be by a series of Control Motion Gyros (CMG) that had brakes
>on each. CMGs were spinning rapidly, and to reposition the satellite
>the brakes were applied to one or more of the CMGs for a bit to start
>the motion, then again to the opposite CMG to stop it. Six CMGs were
>employed, in various orientations, though I believe three were
>primary, and the other three were cut in as backups if one of the
>primaries failed. Because it was in space, and weightless, it didn't
>take as much energy as you think, but you were starting and stopping
>several tons, and the laws of inertia still applied.
>
>The latest generations are still up there, so always smile and wave
>when you look up at the clouds

Joseph that was a fascinating read, thanks mate.

--


Cheers,
  Cotty
(sat in Terminal B near Gate 67 waiting for the 9pm redeye to London)


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||   (O)  |     People, Places, Pastiche
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