Thursday, February 25, 2010, 5:32:13 PM, you wrote:

RS> On 26/02/2010, paul stenquist <[email protected]> wrote:

>> Nah. I'm okay with a little grittiness in my low-light shots. And I can't 
>> live without my focus points, weather sealing, enough resolution for 24 x 30 
>> prints,vertical grip,  and 1000 exposure battery life.

RS> I know I should have added a P.S to my message of enablement such as;
RS> "unless of course you are Paul as he's quite enamoured with the
RS> performance of his K7 in low light" ;-)

RS> I only tell it like it is.

RS> PS and I really am no fan of vertical grips or multi-point AF, they
RS> both interfere with the flow of my shooting.

RS> -- 
RS> Rob Studdert (Digital  Image Studio)
RS> Tel: +61-418-166-870 UTC +10 Hours
RS> Gmail, eBay, Skype, Twitter, Facebook, Picasa: distudio

Well, I am a fan of vertical grips.  My use of multiple AF points is
so-so.  I do usually select a single point, but I am not constantly
changing it so I have a pretty good idea where the focus point is.

After reading lots of reviews and seeing many samples, it was clear
to me that the K-x was the choice I needed for the high volume, low
light work I needed to do.  I had been ok with the K20D for some
occasional low light stuff, but nothing like I was facing.  The
reviews clearing point towards the K-x improving on the K7.  I had
yet to justify the move to the K7 over my K20D - in essence, I was
getting along just fine with it.  But this low light job was not
going to cut it.

Now that I have worked with the K-x, I am quite surprised by how well
it works in low light and how capable the body is.  Is it a K7?  Not
by any means - but it is a great body, especially for the price.  It
does a good enough job for what I need right now.  I would be really
stoked to see the K-x sensor in the K7 body.  Until then, I can hold
off on a K7 just using the K20D for most things and the K-x for the
low light.

--
Bruce



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