a 12mm lens on APS is not as wide as a 15mm lens on FF
hence, the A15mm wont perform as well on on FF or even
APS as a 12mm on APS. (in general). The problem is that
it takes to many elements which hurts the flaring reduction.
Cost and lens speed are also factors. I would bet the
DA 15mm outperforms the A15 on APS as the DA15 isnt
designed to cover FF like the A15 is so it can be tweeked
for Aps.

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J.C. O'Connell (mailto:hifis...@gate.net)
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-----Original Message-----
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of P N
Stenquist
Sent: Monday, April 12, 2010 3:52 PM
To: Pentax-Discuss Mail List
Subject: Re: Ultra-wide zooms



On Apr 12, 2010, at 3:38 PM, J.C. O'Connell wrote:

> High performance ultra wide zooms (UW) don't really exist. Go with a
> UW
> prime
> and even that wont match basic wide primes.
>
> --
The DA 12-24/4 is reportedly comparable in performance to the DA  
14/2.8, although it's a stop slower. I've also read that it's actually  
better than the A 15/3.5 at comparable FOV. I haven't compared it  
directly to either, but I know from experience that it's an excellent  
lens, capable of generating a nice, crisp double page spread at 12mm.  
Good tool.
Paul

> J.C. O'Connell (mailto:hifis...@gate.net)
> Join the CD PLAYER & DISC Discussions : 
> http://tech.groups.yahoo.com/group/cdplayers/
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>
>
> -----Original Message-----
> From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf
> Of
> David Parsons
> Sent: Monday, April 12, 2010 3:12 PM
> To: Pentax-Discuss Mail List
> Subject: Re: Ultra-wide zooms
>
>
> There are two common crops for dSLRs as compared to FF SLR, 1.5  
> (Nikon and
> Pentax) and 1.6 (Canon).
>
> Canon has a 1.3 crop on some of their pro bodies.
>
> P&S sensors are a whole other barrel of fish and there are many  
> sizes, but
> they don't correlate because the lenses are not interchangeable.
>
> On Mon, Apr 12, 2010 at 3:00 PM, Keith Whaley <keit...@dslextreme.com>
> wrote:
>> P N Stenquist wrote:
>>>
>>> On Apr 12, 2010, at 8:48 AM, Keith Whaley wrote:
>>>
>>>> Bong Manayon wrote:
>>>>>
>>>>> Thinking of ...
>>>>> 1. Pentax DA 12-24
>>>>> 2. Sigma 10-20
>>>>> 3. Tamron 10-24
>>>>> Am not into fish-eyes so those options are out.  Any votes for or
>>>>> against any of those listed above? Thanks!
>>>>> Bong
>>
>>>> I don't think those focal lengths are 35mm-equivalent numbers. I
>>>> suspect they're double ~ such as the Pentax DA 12-24 is really like
>>>> a 35mm lens of 24-48mm focal length. Nice wide angle-to-normal  
>>>> lens,
>>>> but hardly a fish-eye...
>>
>>> First, the conversion factor for angle of view is 1.5.
>>
>> Was Bong talking about a specific camera? I know we were talking
>> digitals, but, I thought each camera had it's own conversion camera.
>> In my limited experience, which does NOT include DSLRs, most cameras
>> differ a little as to what their 35mm equivalent is. I avoid the
>> uncertainty by referring to the owner's manual for each camera. They
>> always mention it...
>>
>>> So the 12-24 has the same _angle of view_ on an APS-C DSLR as an
>>> 18-36 would have on a conventional 35 mm frame.
>>
>> Cropping factor, or what I call the telephoto effect, brought on by
>> the size of the sensor. In other words, the ratio derives from how
>> much smaller the DSLR's sensor is compared to 35mm film size.
>> See:
>>
>>      http://www.minasi.com/photos/dslrmag/
>>
>>> However, the focal length is 12-24. That doesn't change, regardless
>>> of the format. Furthermore, it's not a fisheye on any format. It's a
>>> rectilinear lens. In other words, the optics make the verticals as
>>> true as possible given the size of the elements and the constraints
>>> of physical science. Paul
>>
>> Quite so. Thanks Paul.
>>
>> keith whaley
>>
>>
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