Hi all

Lots of good photo shows happening in Sydney at the moment.

First off, started the morning with a glass of sparkling with the streets eerily empty. Jessica Watson was coming into town after 210 days by herself on a pink high-tech non-leaky boat, so Sydney was in big event mode. Street closures, clearways, car towing

We ducked inside to see the Rennie Ellis/Wesley Stacey show. Hilarious stuff. Not to get all nostalgic, Kings Cross has changed a lot in 40 years, so it's great 1970 was captured this way. Hippies actually look pretty timeless in B&W.

http://www.hht.net.au/whats_on/exhibitions/exhibitions/up_the_cross_rennie_ellis_and_wesley_stacey

Then, after some aimless walking around the hills of Paddo (I got a bit lost), we found the Roslyn Oxley9 gallery. You might know, a few years ago there was a kerfuffle about Bill Henson's previous show, or more specifically about one image used on the invitation to the show. Prints were seized, radio talk show hosts were outraged, new prime minister mouthed off, and laws were changed. But Bill just gets on with what he does and does well. I can understand why he hates that sort of controversy, he works are delicate and aren't the least attention seeking. For some bizarre reason, the Sydney Morning Herald had Miranda Devine write a commentary on the new show, expert that she is. She completely misunderstands what he is about, and sneers that he has lost his mojo. Hardly. I'm not going to link to the article, but it's online if you care to look for it.

I knew I would love this show, as I have his others. Highly recommended
http://www.roslynoxley9.com.au/artists/18/Bill_Henson/1222/

After a longish lunchbreak, we went back down the hill to the Stills Gallery. This one was a surprise. I hadn't heard of Roger Ballen, but after his compassionate, if oddly third-person talk about his work, I looked more closely. Definitely "dark side" stuff, challenging and mesmerising.
http://www.stillsgallery.com.au/exhibitions/

Then, a relaxing closer. Blender Gallery is also the home of lomography australia. So you could go there to amuse yourself with how much they are charging for a Diana, but the little gallery has top class work. I love this type of music photography - so intimate and "moment of time". Very jealous of Wolff's access, but he has the chops.

http://www.blender.com.au/no-room-for-squares/#id=img&num=135

My own snaps along the way

http://members.iinet.net.au/~derbyc/10/10_05/10_05_galleryfrenzy/index.htm

D



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