Mike,
Which enlarging lenses worked the best for you and TX?
Just curious,
Bob

--- Mike Johnston <[EMAIL PROTECTED]>
wrote:
> >> Either that or you can eyeball the correct grade
> and exposure first
> >> time almost every time in which case I tip my hat
> to you :)
> > 
> > Nope that's Mike, I'm not quite there yet. ;)
> 
> 
> And note that I can only do it with my Tri-X
> negatives, which I've been
> printing continuously for two decades. It's not like
> I'm a machine or
> anything. Do something often enough and you learn
> how.
> 
> In my "prime" as a darkroom worker I could make 100
> 8x10 prints, all from
> different negatives, in 2 hours. I'd just use a
> basic time and contrast that
> worked, then if the contact was a little light I'd
> add a few seconds (seat
> of the pants as to how many), if it was a little
> dark I'd expose a few
> seconds less. I'd expose 10-15 prints before
> developing and shuffle them
> through the trays together in batches, dump them in
> the wash and get back to
> exposing. At the end of the session I'd switch on
> the white lights, examine
> all the prints, separate the few that were really
> not quite close enough,
> and go back and re-do those.
> 
> You have to work out your movements pretty carefully
> to keep things
> efficient, and if you're too tired you start to make
> mistakes.
> 
> Most of these workprints look just fine, however. I
> really like
> workprinting; there's nothing quite as nice as
> seeing 8x10 "proofs." To only
> about one out of every ten or twenty workprints do I
> give the full fine
> print treatment. And sometimes not the RIGHT ones at
> that!
> 
> --Mike
> 
> 
> * * * * * * * * * * * * * * * * * * * * * * * * *
> Mike Johnston's online articles about photography:
> http://www.luminous-landscape.com/m-johnston.htm
> 
>
http://www.mir.com.my/rb/photography/opinion/mikejohnston/index.htm
> 
>
http://www.mir.com.my/rb/photography/opinion/html/sharpness.htm
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