On Sun, Sep 19, 2010 at 05:11:54PM +0100, Bob W wrote:
> > >
> > But doesn't ISO 100 on a digital cam pretty much get you the same "look"
> > as 50 in film terms?
> > 
> > Does 100 become more like 25 when the top of the scale is really high?
> > 
> > I can't handhold my camera at anything under 400 unless it is a really
> > bright day.   But it seems to me that 400 ISO
> > on my drk side Camera is as sharp and fine as PKR64 in good light.
> > 
> > But maybe its just my eyes...
> > 
> > ann
> 
> it's not just about 'look' in the sense of fine grain/reduced noise, but
> about being able to make use of wider apertures in bright light. Especially
> with sensors smaller than 35mm, when the depth-of-field is so pronounced. On
> a sunny-16 day you'd struggle to shoot less than f/4 or f/5.6 at ISO 200.
> 
> Bob


And that's assuming you have free choice of shutter speed.  If you're shooting
action you often are very constrained as to which shutter speeds you can use;
shoot race cars (or cyclists) at too fast a shutter speed and you lose all of
the sense of motion.  I used to do almost all my race photography at ISO 100
(Provia 100F, in the film days); ISO 200 was faster than I really wanted.


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