On Oct 10, 2010, at 1:49 PM, P. J. Alling wrote:

> I find even "Pros" in most cases clueless on the use of flash.  I should have 
> taken a picture at the outdoor venue where the three "Pro" photographers were 
> shooting a stage show with bounce flash, no ceiling, no  bounce cards,  just 
> bouncing flash off of the night sky...  Kind of like all those flashing P&S, 
> and disposable camera flashes from the nosebleed seats at a stadium concert.  
> I didn't know if I should to laugh or cry.
> 
Frequently, when using flash for fill, it's good to tilt it up to avoid burning 
out the foreground -- even outdoors. The technique works well with a diffuser 
attached.
Paul




> On 10/8/2010 9:20 AM, David Parsons wrote:
>> It is very rare to catch someone else's flash during a shot, even in a
>> pit situation.
>> 
>> On Fri, Oct 8, 2010 at 7:51 AM, paul stenquist<[email protected]>  
>> wrote:
>>> On Oct 8, 2010, at 7:21 AM, paul stenquist wrote:
>>> 
>>>> On Oct 8, 2010, at 4:18 AM, Walter Gilbert wrote:
>>>> 
>>>>> Of the almost 5000 shutter actuations I've put on my K-x since I got it, 
>>>>> I'd venture to guess that less than 100 have fired the flash.  
>>>>> Admittedly, some of that has to do with battery life paranoia -- the same 
>>>>> reason I've used the live view on it less than a total of 30 seconds.  I 
>>>>> just don't find it helpful enough to warrant the power usage.  And I love 
>>>>> the way the K-x uses available light.  Focusing problems and occasional 
>>>>> lens-build issues be damned.  It'll be tough for Nikon or Canon to lure 
>>>>> me away when Pentax has such great low light performance for so much less 
>>>>> dough.
>>>>> 
>>>>> Let 'em chuckle.  In the meantime, I'll be taking pictures of them 
>>>>> fumbling to replace batteries in the dark.
>>>>> 
>>>>> 
>>>> Any pro photographers will be using cameras with multiple lithium 
>>>> batteries that provide well over 1000 exposures. No one will be fumbling 
>>>> with batteires. And no one will be using a pop up flash. Probably all will 
>>>> have the dedicated Nikon or Canon flash with a dome style diffuser 
>>>> attached. But they will shoot their long lens stuff with available light 
>>>> if it's reasonably bright. The full frame Nikon has at least as good low 
>>>> light performance as the Kx, with a lot more resolution and superb 
>>>> autofocus.
>>>> 
>>>> 
>>> Excuse my replying to myself, but I should point out that flashes aren't 
>>> used by PJs just to compensate for a lack of light. They're a lighting 
>>> tool. If you have to shoot an outdoor speaker, chances are he or she will 
>>> be backlit or perhaps even crosslit. That's done so the speaker doesn't 
>>> squint. In that case, flash is used for fill. When those PJs shoot 
>>> interview subjects in close, they use flash, in part, because others are 
>>> using flash. Each wants to make sure that for their shot, the lion's share 
>>> of the light will be coming from close to camera, rather than from 150 
>>> degrees to the rear. If you're shooting at ISO 3200 with no flash and ten 
>>> other photogs are shooting at ISO 400 with flash, many of your shots will 
>>> be grossly overexposed with light from odd angles. But you should be able 
>>> to sneak in a few frames between flashes.
>>> 
>>> Paul
>>>>> On 10/7/2010 6:45 PM, Jeffery Smith wrote:
>>>>>> That's a very good point. I (personally) think that flashes turn just 
>>>>>> about everything into a snapshot. So while all of others are blasting 
>>>>>> away with flashes, I'm more likely to be shooting at f/2 without a 
>>>>>> flash. I only own two flashes (a Pentax ringflash, and a Leica flash for 
>>>>>> a Leica rangefinder) and don't use either.
>>>>>> 
>>>>>> Jeffery
>>>>>> 
>>>>>> 
>>>>>> On Oct 7, 2010, at 5:16 PM, Walter Gilbert wrote:
>>>>>> 
>>>>>>> If they give me too much grief, I'll just look at their gear and ask 
>>>>>>> them, "So ... what's with the flash?  I've never had to use one of 
>>>>>>> those with my K-x.  What's it like?"
>>>>>>> 
>>>>>>> -- Walt
>>>>>>> 
>>>>>>> On 10/7/2010 4:38 PM, David J Brooks wrote:
>>>>>>>> One suggestion is not to get all bent out of shape when the Nikon and
>>>>>>>> Canon shooters giggle at your Pentax.
>>>>>>>> 
>>>>>>>> They will, i've been there.
>>>>>>>> 
>>>>>>>> However i can still get photos from my Pentax gear published so i just
>>>>>>>> smile at them.;-)
>>>>>>>> 
>>>>>>>> Dave
>>>>>>>> 
>>>>>>>> On Thu, Oct 7, 2010 at 5:22 PM, Walter Gilbert<[email protected]>     
>>>>>>>> wrote:
>>>>>>>>> Thanks, Jeffery.
>>>>>>>>> 
>>>>>>>>> I shouldn't have too much trouble blending in, as I don't plan on 
>>>>>>>>> packing a
>>>>>>>>> giant piece of glass with me.  Most likely, I'll take my 70-300 
>>>>>>>>> f/4-5.6, my
>>>>>>>>> 18-55 f/3.5-5.6 and my 2X TC as a "just in case" for anything else 
>>>>>>>>> that
>>>>>>>>> might be going on that I don't have the reach for.
>>>>>>>>> 
>>>>>>>>> -- Walt
>>>>>>>>> 
>>>>>>>>> On 10/7/2010 11:38 AM, Jeffery Smith wrote:
>>>>>>>>>> My opinion is to make sure photos don't look like they were posed 
>>>>>>>>>> (as you
>>>>>>>>>> see on the society page), and to be unobtrusive when possible. Blend 
>>>>>>>>>> in
>>>>>>>>>> without drawing attention to yourself when possible.
>>>>>>>>>> 
>>>>>>>>>> Jeffery
>>>>>>>>>> 
>>>>>>>>>> 
>>>>>>>>>> On Oct 7, 2010, at 11:19 AM, Walter Gilbert wrote:
>>>>>>>>>> 
>>>>>>>>>>> Hi all,
>>>>>>>>>>> 
>>>>>>>>>>> I've just received my first press pass -- as a freelance 
>>>>>>>>>>> photographer for
>>>>>>>>>>> a couple of upcoming campaign events in a US Senate election.  
>>>>>>>>>>> Having never
>>>>>>>>>>> done this sort of shooting before, I assume I'll get a pretty 
>>>>>>>>>>> decent vantage
>>>>>>>>>>> point for the stump speeches and maybe some access behind the 
>>>>>>>>>>> scenes.  Given
>>>>>>>>>>> the collective years of experience on the list, I thought I'd ask 
>>>>>>>>>>> if anyone
>>>>>>>>>>> has any tips on the best way to capture dramatic, compelling images 
>>>>>>>>>>> at
>>>>>>>>>>> events of this nature -- what to look for, technical and 
>>>>>>>>>>> compositional
>>>>>>>>>>> advice, etc.
>>>>>>>>>>> 
>>>>>>>>>>> Also, any advice on the best mental approach to take in shooting 
>>>>>>>>>>> events
>>>>>>>>>>> of this nature in terms of establishing oneself as a credible 
>>>>>>>>>>> photographer
>>>>>>>>>>> would be greatly appreciated.  As a matter of background, I was 
>>>>>>>>>>> granted this
>>>>>>>>>>> press pass by a person who had seen my work on Facebook and Flickr 
>>>>>>>>>>> and
>>>>>>>>>>> really enjoyed it -- or at least she told me as much.
>>>>>>>>>>> 
>>>>>>>>>>> So, I have a bit of a dilemma.  Should I approach this as an 
>>>>>>>>>>> ostensibly
>>>>>>>>>>> hard-nosed photojournalist trying to capture the "reality" of the 
>>>>>>>>>>> campaign
>>>>>>>>>>> trail in a consequential election?  Or, given the very early stage 
>>>>>>>>>>> of my
>>>>>>>>>>> development as a photographer, should I approach it as a potential
>>>>>>>>>>> connection for future job opportunities by taking shots geared 
>>>>>>>>>>> toward making
>>>>>>>>>>> the subject look as good as I can?
>>>>>>>>>>> 
>>>>>>>>>>> As a matter of pure, career-minded practicality with an eye toward
>>>>>>>>>>> getting the proverbial foot in the door to future work as a 
>>>>>>>>>>> photographer,
>>>>>>>>>>> I'd appreciate any guidance anyone can offer me.
>>>>>>>>>>> 
>>>>>>>>>>> -- Walt
>>>>>>>>>>> 
>>>>>>>>>>> 
>>>>>>>>>>> 
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> 
> 
> -- 
> "His lack of education is more than compensated for by his keenly developed 
> moral bankruptcy."
>     -Woody Allen
> 
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