Thanks, J.C. 

I'll probably get the Katzeye for the K-7. If it works out well for me, I may 
very well swap out screens on my other most-often-used cameras.

Jeffery

On Oct 23, 2010, at 2:51 PM, J.C. O'Connell wrote:

> I changed my focus screen on a DS about
> 3 years ago (same time I bought camera).
> I put a split image rangefinder in there
> and it works great to about F4, if you
> line your eye up to the finder just right,
> even F5.6 can work. The finders are easy
> swap out, you just need a pair of large
> tweezers or a small pair of needle nose
> pliers to grab the little tab of the screen.
> I bought my third party screen from a seller in china
> on ebay.
> 
> 
> --
> J.C. O'Connell (mailto:[email protected])
> Join the CD PLAYER & DISC Discussions :
> http://tech.groups.yahoo.com/group/cdplayers/
> http://launch.groups.yahoo.com/group/cdsound/ 
> 
> 
> -----Original Message-----
> From: [email protected] [mailto:[email protected]] On Behalf Of
> Jeffery Smith
> Sent: Saturday, October 23, 2010 3:38 PM
> To: Pentax-Discuss Mail List
> Subject: Re: OT: new camera
> 
> 
> Hey Larry,
> 
> I have to admit that I really avoid manual focusing of late because of the
> lack of a split prism/split image focusing screen. For me, matte focusing
> screens were only useful when using a tele that was so slow that half of the
> split images blacked out. On Nikon SLRs in the 70's, it was called a
> K-screen.  To give you some idea of how ignorant I am of modern dSLRs, I
> didn't realize that the user could change screens until I went to the
> Katzeye site and downloaded the instructions (!). User-changeable screens
> was such a perk back in the 70's, if the screen was changeable, the customer
> knew it as it was highly touted in the specifications and user manual.
> 
> I haven't fooled around much with histograms in the theater productions
> because the lighting changes from minute to minute. This is one of those
> rare occasions when automation seems to work far better than my futzing with
> the controls. I get a spot reading on the subject's chest or face, and keep
> the shutter button partially depressed. I do have to experiment a bit more
> with the green button feature, and will pull out my Magic Lantern book this
> evening to get a better grip on some of the program features.
> 
> Is the Katzeye relatively easy to install on the Pentax? I've never had an
> issue with screen swapping on Rolleiflexes, but they are big and easy to
> fool with.
> 
> Jeffery
> 
> 
> On Oct 23, 2010, at 2:12 PM, Larry Colen wrote:
> 
>> 
>> On Oct 23, 2010, at 7:39 AM, Jeffery Smith wrote:
>> 
>>> I do a significant amount of shooting theater productions, and the 
>>> shutter lag is a major issue for me, as is sensitivity/dynamic range. 
>>> The E-5 is significantly improved here, or is it simply not a problem 
>>> with the E-5?
>>> 
>>> The K-x has not been an issue with dynamic range/sensitivity for me, 
>>> and the 77/1.8 is a great focal length for most productions. However, 
>>> I do get a lot of lost shots because what I pulled the trigger on had 
>>> changed by the time the shutter actually fired.
>> 
>> My K-x is set up so that the AE-lock button is also the autofocus lock 
>> button. If I feel that I can trust the autofocus to pick the right 
>> thing to focus on (especially tough without the indicator lights) I'll 
>> use autofocus to prefocus, then hit the lock button so the camera 
>> fires when I'm ready.  Alternatively, I have a katzeye focusing 
>> screen, so manual focus is easy for me in cases like that, and I'll 
>> just manually focus.
>> 
>> If you think that the debates about sensor size, or vi vs. emacs, or 
>> any of the other religious wars are bad, try to avoid the matte glass 
>> vs. split prism debate. For me, when I first bought a katzeye screen, 
>> it was like growing back a lost appendage. I have had a weird problem 
>> with my K-x in that the focusing screen has a nasty habit of falling 
>> out. I may have tweaked the metal bracket just a bit, and I *think* I 
>> tried to bend it back the last time that it happened.
>> 
>> I haven't done a lot of theater work, but I do a lot of band 
>> photography, and I think that they are probably fairly similar in what 
>> challenges you face. By the way, do you check your histograms and 
>> expose for the brightest channel when manually setting your exposure?
>> 
>> --
>> Larry Colen [email protected] sent from i4est
>> 
>> 
>> 
>> 
>> 
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> 
> Jeffery L. Smith
> New Orleans, LA
> 
> 
> 
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Jeffery L. Smith
New Orleans, LA



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