On Oct 23, 2010, at 4:18 PM, Steven Desjardins wrote: > I had a similar thought at first, but I like the fact that everything > else of consequence is at least slightly out of focus. The sharpness > of the car really makes it pop.
Exactly, so coming in closer to the car should make the background even more blurry. Though he may not have wanted it that blurry. > > > "> Wonderful shot. I'm curious why you didn't come in a lot tighter. > I think that I'd have shot from about half the distance, so that the > car was about as close as possible to the lower left corner and the > top of the frame didn't extend much beyond the brick building. >> >> Were you trying to get more of the neighborhood to set context?" > > -- > Steve Desjardins > > -- > PDML Pentax-Discuss Mail List > [email protected] > http://pdml.net/mailman/listinfo/pdml_pdml.net > to UNSUBSCRIBE from the PDML, please visit the link directly above and follow > the directions. -- Larry Colen [email protected] sent from i4est -- PDML Pentax-Discuss Mail List [email protected] http://pdml.net/mailman/listinfo/pdml_pdml.net to UNSUBSCRIBE from the PDML, please visit the link directly above and follow the directions.
