On 2010-12-21 23:07, Ann Sanfedele wrote:
Yeah they are somewhat soft, but how exciting to record it anyway
You know, this is one of my big problems with culling and editing. If you couldn't shave with it's sharp edge, I don't want to accept it into the "accepted" shots. I guess I should state up front that 99% of my shooting is race cars on track (the other 1% is track workers, where my failures usually boil down to not paying enough attention to the current settings for the automation). Back to the plot ... there are a lot of shots (in that cars-on-track-at-speed genre) that aren't tack-sharp, but are nonetheless worthy. But I have a really hard time recognizing them. Any suggestions on how I go about training my "eye" to that part of the spectrum? To let loose of my "engineers view" and engage my "Picasso-distortion-field" view?
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