When my kit was an ME with a M50/1.7, M135/3.5, and M28/2.8, the M80/2 was a 
very welcome addition.  Even with a Super Program and an A50/1.4, the M85/2.0 
was still a favorite.  It made a great combination with the M35/2.0 as fast 
glass that fit in my pocket.  It wasn't until I found an A100/2.8 Macro that 
I noticed how much sharper the 100 was.  I found that I wasn't carrying the 
85 and had substituted the 100.

Perhaps I was stupid, but I have many memorable portrait shots of my kids 
growing up and my folks/family with this lens.  The 85 mm is really a great 
distance to work with inside a home or across a dining room table.  Sure the 
A*85/1.4 is sharper and I can afford one now, but I sure couldn't then.  And 
I had no idea the K85/1.8 was even out there (I'm not really sure it isn't 
just a myth, visible only on Boz's pages! <g>).

So I don't have any problem with the M85/2.0.  I don't use it for portraits 
done at home, but if I'm going out - to somebody else's house or other venue 
- the M85/2.0 is a great choice to bring along and hardly bigger than my 
A50/1.4.

Regards,  Bob S.

[EMAIL PROTECTED] writes:

<< The M85/2.0 is not bitingly sharp, but it has a pleasant bokeh, and a
 gentleness about it that's often quite desireable, and which can make a
 photograph more than just a picture.
 
 No, the M85/2.0 is not a dog.  It's one of many damned fine "brushes"
 for your silver-halide canvas. All you have to do is learn to use it
 where its qualities are most suitable. >>
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