Agreed, but I've been trying to figure out why this is more unsettling for
me than I would expect. It might be because it's both spooky and sad.
Anyway . . . Cheers, Christine
----- Original Message -----
From: "Steven Desjardins" <[email protected]>
To: "Pentax-Discuss Mail List" <[email protected]>
Sent: Saturday, February 05, 2011 5:57 PM
Subject: Re: PESO - Subway Jesus - Take 2
It's a strong and unsettling image, Christine. I believe the
technical term is "spooky",
On Sat, Feb 5, 2011 at 6:56 PM, Christine Aguila <[email protected]>
wrote:
Something really unsettling about this, Frank--not your skills as a
photographer, just the subject. Normally, unsettling subject matter
doesn't bother me, but I can't explain why the subject here has the
effect.
Cheers, Christine
----- Original Message ----- From: "frank theriault"
<[email protected]>
To: "Pentax-Discuss Mail List" <[email protected]>
Sent: Saturday, February 05, 2011 3:11 PM
Subject: PESO - Subway Jesus - Take 2
Taking Ann's suggestion, I lightened Jesus' face a bit. Taking
Sasha's suggestion, I recropped - not to take out the partial TTC logo
on the left, but to take out the partial window on the right. I also
left in the original tilt. I de-noised the interior as best I could,
and lowered the contrast a bit (so as to get maybe a teensy bit more
detail in Jesus' face).
Here's the new one:
http://knarfinthecity.blogspot.com/2011/02/subway-jesus-take-2.html
Here's the original:
http://knarfinthecity.blogspot.com/2011/02/subway-jesus.html
Any thoughts, preferences or strong feelings one way or the other?
Thanks.
cheers,
frank
--
"Sharpness is a bourgeois concept." -Henri Cartier-Bresson
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