Wouldn't every thing be shifted blue if I was shooting "daylight" scenes
on Tungsten film? I think shifting everything blue is what I want.
What he was doing was shooting long exposure at night illuminated by the
full moon, which is nothing but daylight bounced back on the other side
of the world from the sun ... but shooting it on tungsten balanced color
negative film, rather than daylight film.
That's the effect I'm wanting to recreate.
From: David Parsons
CTB gels would shift everything blue. You'd want to use a CTO to
shift everything orange.
Daylight balanced is much bluer than tungsten.
It is available, it's just wicked expensive comparatively.
http://www.amazon.com/Kodak-Portra-100T-Tungsten-36/dp/B00005MEAX/ref=sr_1_1?ie=UTF8&qid=1304559253&sr=8-1
It says it's Tungsten Color Negative Film in the ad copy, but the
illustration is Plus-X pan which ain't, IYKWIM.
Not sure what I'd actually get?
Plus, I already have the CTB filters & a fridge full of film.
On Wed, May 4, 2011 at 9:26 PM, John Sessoms <[email protected]>
wrote:
Saw an interesting presentation tonight. A photographer who was
making long nighttime exposures on tungsten CN film. I liked what
he was getting in his images.
But tungsten balanced Color Negative films are longer available.
Could a similar effect be obtained by using CTB filters to shoot
on daylight balanced color negative film?
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