Well, it's an interesting set of questions, all worth exploring, but as a
pdml project it's too broad. It needs to be narrowed down to one question
with a deadline before people can realistically get involved with it, given
that we are not professional photojournalists and have jobs and families to
deal with. 

And that kind of makes it a list of PUG themes, but presumably without the
Pentax-only qualification. It's a list that I prefer to the PUG themes, and
I'd give it a go, but whatever is chosen needs to be realistically
achievable each month (or whatever), given the other commitments that people
have.

Bob

> -----Original Message-----
> From: [email protected] [mailto:[email protected]] On Behalf Of
> Christine Aguila
> Sent: 18 May 2011 21:07
> To: [email protected]
> Subject: idea for a pdml photography project
> 
> Hi Everyone:
> 
> I just finished F. Jack Hurley's book, Portrait of a Decade:  Roy
> Stryker
> and the Development of Documentary Photography in the Thirties.  Many
> of you
> have probably read this, but if not, you should be able to find it in
> your
> local library or secure a used copy via bookfinder or amazon.
> 
> At 175 pages, the book provides a nice broad look at Roy Stryker's
> life, his
> years studying and teaching economics, his working relationship with
> Rexford
> Tugwell, and, of course, his leadership at the Farm Security
> Administration
> (FSA).  All fascinating stuff!  You won't be disappointed--I promise!
> 
> The book has inspired an idea that might be of interest to PDML list
> members.  In 1936, Stryker began to broaden the FSA projects to include
> photographic documentation or rural, small-town, and urban life (as
> opposed
> to poverty in agricultural communities).  According to Hurley, Stryker
> used
> questions to give focused direction and purpose to the photographers'
> field
> work--to illustrate:  "What do people do at home in the evenings?  Do
> the
> activities in a small town differ from those in a large city?  How do
> people
> dress for church?  Where do people meet?  Do beer halls and pool halls
> take
> the place of country clubs for the poor?  [and even broader questions]
> What
> are the key economic factors in the existence of a small town?  The
> railroad?  The highway?  How can these be represented visually?  Has
> anyone
> ever taken a really good series of pictures of a filling station,
> showing
> its relationship to the restless, shifting American population?  What
> do
> railroad stations look like?  How do they relate to small-town life?"
> (98)
> 
> When I first read the above, I thought it might be interesting if PDML
> photogs worked in self-selected groups and pursued similar questions
> but
> with an international scope.  For example, What do people from selected
> countries do at home in the evenings?  How do people from selected
> countries
> dress for religious services?  What are the key economic factors in
> selected
> small towns around the world?  What do back yard gardens look like in
> selected countries?  What are the popular tourist sites in selected
> countries?  How does the architecture differ in selected countries?
> What
> does the native flora & fauna look like in selected countries?  What do
> gas
> stations look like in selected countries?  (see Tim Hetherington's
> study on
> Arab gas stations--fascinating stuff)  What types of dance classes are
> offered in selected countries?  How do weddings differ in selected
> countries?  What kinds of pets do people have in selected countries?
> How has
> the landscape changed in selected countries? and so-on and so-on.  The
> possibilities are endless!
> 
> A project like this would give those who are interested a chance to
> collaborate with other photographers from different countries, work on
> a
> question together, post the final international photographic study in a
> gallery, and share with the PDML list, of course.  I see this as an
> *anybody-who-wants-to" and *in-your-own-time* kind of project.  I also
> see
> it as a project that takes advantage of PDML's international character,
> which is rich and interesting.  I also envision a hint of text to
> accompany
> each photograph in the gallery--think of the old Life magazine.
> 
> Any interest?
> Cheers, Christine
> 
> 
> 
> 
> 
> 
> 
> 
> 
> 
> 
> 
> 
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