I do a fairly wide variety of pro work for a number of clients. I wouldn't 
trade my Pentax glass for Nikon. With a DA 12-24, and the DA* 16-50. 50-135 and 
60-250, I'm covered for just about anything. But I keep an A 400/5.6 for rare 
occasions when I need really long reach. I have some faster primes as well but 
with the high ISO capability of the K5 and the superb performance of the DA* 
zooms, I haven't had to use them since I relegated my K7 to backup status.
Paul

On Aug 25, 2011, at 1:26 AM, Tanya Love wrote:

> True, good point.  :(
> 
> Which is one of the reasons, I have been questioning my loyalties and
> *really* considering switching to Nikon of late...  Trying so hard not too,
> but Pentax just offers nothing by way of support for pro photographers.
> Still holding out for as long as I can though!
> 
> 
> 
> -----Original Message-----
> From: [email protected] [mailto:[email protected]] On Behalf Of John
> Sessoms
> Sent: Thursday, 25 August 2011 1:02 AM
> To: [email protected]
> Subject: Re: Best 80-200mm?
> 
> From: Tanya Love
>> Yep, I know it's pro-level John, I *am* a pro photographer, and wouldn't
> offer my clients anything less.
> 
> I understand that. My point is that at that level, all of the glass is
> pretty good no matter who makes it.
> 
> It's the *availability* of pro glass in Pentax mount that ain't so hot.
> 
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