I'm with Bruce on this.  Offer her the variations, but she obviously
likes this one because she picked it.  After all, you gave her a range
from posed high quality images to "in the moment with all the flaws",
which is what most folks want a photographer to do.  Especially
another "artist".

On Sat, Sep 24, 2011 at 9:37 AM, Bruce Walker <[email protected]> wrote:
> On 11-09-23 10:38 PM, Larry Colen wrote:
>>
>> A while back I posted about a friend wanting to use one of my photos for
>> her album cover.  She did a small run of CDs by herself, but now they're
>> going off to be done for real. So rather than just the album cover, she
>> needs pictures on the liner notes as well.  So, while she's on a business
>> trip, she has to get some shots ready for her graphic designer to do the
>> layout, she's poking around on facebook picking her favorite shots, and
>> asked for three more of mine.
>>
>> That's great, it's a nice ego stroke and all that.  One of the shots is
>> what I'd consider technically acceptable.  I had someone hold my AF540 off
>> camera, and posed a shot of her, and another musician.
>> http://www.flickr.com/photos/ellarsee/6176828342/in/set-72157627606964975
>>
>> Two, pretty women, with nice smiles, what's not to like?  I blew out some
>> of the highlights, but for quicky portraits done on a stage with a single
>> speedlight, I'm not complaining.
>
> I'd remove the red-eye from both girls and fix the hotspots and clean up the
> skin blemishes on Michelle's cheek.  CD art is printed at at least 400dpi
> and small details are likely to show up.
>
>
>>
>> Another of the shots isn't too bad, if you don't look to closely:
>> http://www.flickr.com/photos/ellarsee/6173860436/in/set-72157627606964975
>>
>> And for ISO 10,000, it's not too bad. But blow it up at all, and while the
>> K-5 is pretty damned impressive at ISO 10,000, it's still ISO 10,000, and at
>> f/2.8 I'm not quite sure what the camera actually focused on, but I suspect
>> it might be the bricks behind the musicians.
>
> That one's just fine, I'd say. A good performance shot. The softness won't
> matter at the size that's likely to be reproduced.
>
>
>>
>> The last one she wanted, ouch.  Considering the lighting, and that I was
>> shooting hand held with the K-x at ISO4000, it's not bad. But, Don Quixote's
>> loves their red gels. It looks like it was photographed in a darkroom:
>> http://www.flickr.com/photos/ellarsee/6176866538/
>> So I tried a b&w conversion:
>
> Stop right there and ask yourself why you are trying to eliminate the red.
> It's part of the performance; it's what the audience saw, after all; it is
> the character, mood, ambiance of the space.  This isn't a product shoot
> where you need to colour calibrate everything to remove an unwanted colour
> cast.
>
> I'd be willing to bet that the artist chose this shot because of what she
> saw. She's not expecting you to monkey with it.
>
> I'd give the customer what she wants. :-)
>
> -bmw
>
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-- 
Steve Desjardins

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