On 29/01/2012 11:42 AM, Paul Stenquist wrote:



I would find the trend toward more technology disturbing if there were no 
options.
But since I can focus manually at will, or I can choose to use a single autofocus point
 -- with the plus of being able to choose the location of that pint --
the presence of other options doesn't bother me in the least.
Camera makers, for the most part, aren't brain dead. They're not going to take away the options that many of us require. More technology is fine, since it doesn't get in my way.

You are thinking only in your own terms, not in the terms of photography in general. It's hard to discuss things with someone who only has an ego centrist viewpoint, but I'll try. I think George's point, and it's hard to argue with it, is that photographers, like all other animals, will tend to take the easy way out. In the case of cameras, they won't learn how to meter a scene, or learn what the limitations of the meter are, they will put the camera on auto and hope for the best, or perhaps put the camera on manual and blow it because they don't really know how to interpret what their meter is telling them. I spent enough time developing people's pictures during an era where we went from manual everything cameras to automatic everything cameras, and I did it in storefront labs that put me "on the spot" when it came time to tell customers exactly what went wrong with Aunt Martha's 90th birthday pictures, and yes, I'm sorry for you that she died yesterday and now you don't have pictures from her party either. There really has been a very strong regression in the basic photography knowledge that people using cameras are willing to learn, even while they are willing to learn much more complex camera operations that have little to do with photography other than complicating it in it's own way. We got automatic exposure and a fairly large % of people stopped learning how to set exposure properly. We got autofocus and an equally large % of people stopped learning how to focus a camera (lots of overlap with the previous group). Generally, they wouldn't learn until their ignorance came home to roost, and even then, they would generally be very convinced that it was the lab that caused the problem, even in the face of all evidence to the contrary. Digital just made it worse, since it took away any possibility we had to fix things if the customer screwed up, and it gave the customer a lot of new and improved ways to bugger things up. At least with film, I could print through 5 stops of over exposure and pull something out of the mess. At least with film, I didn't have to worry about customers wanting 8x10 prints from VGA sized files, and I could always read a negative, but quite often memory cards just wouldn't read in our equipment because the photographer had stuck the card into the camera and started writing files to it without formatting it. If you think camera makers aren't going to take options away from us that we require, look at the viewfinder of your Pentax DSLR camera, compared to that of a good Pentax film camera from the 1980s. It's small, tunnel like, and very hard to manual focus with even moderate wide angle lenses, even if you change the screen out to a Katz-Eye or some such (and having to do that kinda makes the point anyway). Wait until you are forced into an electronic viewfinder, whether you like them or not because the camera company decides that while they are not as good as an optical finder, they are now "good enough". If you think I'm wrong, I challenge you to try to find a non SLR camera with a fully functioning optical viewfinder of any kind, good or bad. As a feature, it is almost completely phased out.
So much for choice.

--

William Robb

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