I haven't tried or researched alternative processes, but I know that some 
galleries exhibiting photography are especially interested in experimental 
printmaking processes WRT photographs they'd like to exhibit.   Cheers, 
Christine


  
On Mar 30, 2012, at 10:37 AM, Darren Addy wrote:

> I miss old school printmaking. But more than that, I'm becoming
> increasingly fascinated by the Really Old School processes that are
> today euphemistically called "Alternative Processes". These include:
> Cyanotype
> Kallitype (including Van Dyke brown)
> Platinum prints
> etc.
> 
> What is interesting to me is that virtually all of these are contact
> print processes. Now not a lot of people are shooting large format
> film today. So what's up with the revival in interest in "Alternative
> Processes"? Well, digital has done wonders for "old school" contact
> printing. You can now print out large format "digital negatives" on
> transparency film using ink jet printers. The larger format the
> printer, the larger the transparency (negative) that you can produce.
> 
> You probably already have a great library of images that you could
> work from. Images that could take on a whole new life as a Platinum
> print, or a Cyanotype, for example. Some of these processes can even
> be used on fabric, meaning you could make some gnarly t-shirts to show
> off your own images.
> 
> For those interested in learning more, I recommend:
> http://www.alternativephotography.com/wp/processes
> or the f295 forums: http://www.f295.org/Pinholeforum/forum/Blah.pl
> (scroll down to the forums for "Hand Crafted, Historic Process, and
> Non-Conventional Images")
> 
> Ron Reeder is one of the recognized experts in creating digital
> negatives. His process (used by many) is outlined in this inexpensive
> eBook:
> http://www.lulu.com/shop/ron-reeder/digital-negatives-for-palladium-and-other-alternative-processes/ebook/product-17429855.html
> 
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