The difference in detail between the 12 and 14-bit images is far from minimal.

Rick
 
http://photo.net/photos/RickW


----- Original Message -----
From: David Parsons <[email protected]>
To: Pentax-Discuss Mail List <[email protected]>
Cc: 
Sent: Tuesday, May 22, 2012 10:17 PM
Subject: Re: K-30 vs K-5

In practice the difference is minimal.

http://www.earthboundlight.com/phototips/nikon-d300-d3-14-bit-versus-12-bit.html

Bit depth does not equal stops of DR.

On Tue, May 22, 2012 at 8:20 PM, Larry Colen <[email protected]> wrote:
>
> On May 22, 2012, at 3:43 PM, steve harley wrote:
>
>> on 2012-05-22 11:31 Rick Womer wrote
>>> I think another big difference will be the 12 v. 14 bit/channel RAW--I 
>>> suspect those extra bits in the K-5 are where the great DR lives.
>>
>> that concerns me too, but somehow dxomark rates the dynamic range of the K 
>> 01 12.9 Evs vs 14.1 Evs for K-5 — just over a stop of difference rather than 
>> the two stops that the data path would support, but still a significant 
>> difference
>>
>> (it would seem odd that 12 bits can support almost 13 stops of dynamic 
>> range; i suspect that some sort of dynamic range compression is used, or 
>> that i don't understand dxomark's measurement system)
>
>
> I think that it can measure 13 stops of dynamic range, but with only 12 bits 
> of resolution.  In other words, the fewest photons it can sense is 100, but 
> anything between 100 and 200 (actually 300?) will read as 0x0001.  The most 
> that it can read before clipping is 819200 photons, but it reads that os 
> 0x0FFF (4095).  Meanwhile a 14 bit A/D with 13bits of dynamic range would 
> read 100 photons as 0x0002, and 819200 photons as 0x3FFF (16,383), or it 
> would have a resolution of 50 photos per bit of least resolution.
>
>
>
> --
> Larry Colen [email protected] sent from i4est
>
>
>
>
>
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