You're welcome, Bruce. Your photo was excellent to begin with, so it's worth 
making it as perfect as possible. When it comes to fixing photos that are less 
than perfect, I have more experience than I care to admit to.  Can we see the 
result?

On May 27, 2012, at 9:13 PM, Bruce Walker wrote:

> Okay, Paul, did that. Also lightened-up her hair and much ofthe whole
> left side of her face. I think that reduces that "lazy eye" illusion
> plus revealing her nice hair a lot more.
> 
> Thanks for your critique and pointers, Paul!
> 
> 
> On Fri, May 25, 2012 at 10:25 AM, Paul Stenquist
> <[email protected]> wrote:
>> You could probably release a bit of the tension in her face by smoothing out 
>> her brow above her left eye. Worth a try IMO.
>> Paul
>> On May 25, 2012, at 9:16 AM, Bruce Walker wrote:
>> 
>>> I'm sure you've seen Hurrell's work, if you've seen any b&w shots of
>>> Hollywood stars.
>>> 
>>> https://www.google.com/search?q=george+hurrell&tbm=isch
>>> 
>>> I agree her hair needs to be revealed more, and I need to brighten her
>>> eye as well, per Paul's suggestion, so I'm off to do some
>>> dodge'n'burn. :-)
>>> 
>>> Thanks, Bob!
>>> 
>>> 
>>> On Thu, May 24, 2012 at 11:58 PM, Bob Sullivan <[email protected]> 
>>> wrote:
>>>> 
>>>> Bruce,
>>>> I don't know George Hurrell's style at all, but I enjoyed the photo.
>>>> For such a glamorous shot, I miss her luxurious hair...needs light!
>>>> Regards,  Bob S.
>>>> 
>>>> On Thu, May 24, 2012 at 3:32 PM, Bruce Walker <[email protected]>
>>>> wrote:
>>>>> Was introduced to a lovely lady who wanted to do a creative shoot. I
>>>>> suggested Hollywood glamour ala George Hurrell and she said yeah ...
>>>>> 
>>>>> http://www.flickr.com/bruce_m_walker/7262010996/lightbox/
>>>>> 
>>>>> This is the first of a few I'll be retouching. The goal was B&W, but I
>>>>> couldn't resist keeping this one colour.
>>>>> 
>>>>> The shoot took place yesterday in The Gallery Studio Cafe in New
>>>>> Toronto. There's a piano, which of course we made use of, and a nicely
>>>>> decorated bar with a big ol' espresso machine, which also made it into
>>>>> some shots. We basically had the run of the place. Dorothy enlisted
>>>>> two of her ex-colleagues (she was an on-air personality with a talk
>>>>> show on Rogers cable TV) for makeup and hair and they did a superb
>>>>> job. I have BTS shots of the two of them working on Dorothy
>>>>> simultaneously.
>>>>> 
>>>>> I wanted to get the "focussed-light with rapid fall-off" look typical
>>>>> of George Hurrell's work, so I used the ring-light-in-a-softbox that I
>>>>> created especially for the shoot and tested on my wife last week.
>>>>> George used multiple big hotlights with fresnel lenses to get his
>>>>> look, so we clearly would only be able to approximate it but I think
>>>>> we didn't do too badly. He also spent hours dodging and burning to get
>>>>> his deep shadows and body contouring, so at least that part I'll be
>>>>> able to emulate accurately! :-)
>>>>> 
>>>>> K20D, DA* 16-50/2.8 @ 39mm/f:8.0, 100 ISO, 125th sec.
>>>>> AF160 ringlight in 18" Westcott Apollo softbox on monopod, held above
>>>>> and in front of subject's face.
>>>>> AF540 in 42" silvered umbrella for fill, camera-left.
>>>>> AF540 with snoot for hair, well back camera-right.
>>>>> Cowboy Studios radio triggers.
>>>>> Lr and Ps for post and retouching.
>>>>> 
>>>>> Comments welcome!
>>>>> 
>>>>> --
>>>>> -bmw
>>>>> 
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