Dave, with decently powerful strobes (eg 400 WS), *most* rooms
available to me are going to look like "small rooms". If I am using an
umbrella it's because I'm going for high-key, or a well-lit scene, or
outdoors where the photo-bomb effect isn't noticed.

Take a look at this pair of photos:
http://www.zarias.com/shoot-through-umbrella-vs-softbox/

Clearly a softbox in a small room works just fine. That's why
softboxen are so highly coveted. It's why I prefer to shoot with them.


On Fri, Jun 8, 2012 at 10:04 PM, David Parsons <parsons.da...@gmail.com> wrote:
> I find it much easier to use the inverse square law and the aperture
> to make the problem go away.  If you are shooting in a room that is
> small enough to bounce a lot of light around, you will have problems
> with most modifiers.
>
> On Fri, Jun 8, 2012 at 6:13 PM, Larry Colen <l...@red4est.com> wrote:
>>
>> I've got a couple of shoot through umbrellas that work pretty well, with the 
>> minor issue that since they bounce a lot of light back the way it came, they 
>> work almost more like light grenades, throwing photons indiscriminately in 
>> every direction.
>>
>> I just realized that with the clamps on my white lightning, I could cut a 
>> hole in some posterboard to mount it on the flash, run the shaft of the 
>> umbrella through it, and end up with a light source that is fairly diffuse 
>> and pretty much only shoots light forward.  I'd rather have a big softbox, 
>> but that would cost $50 or $100, and a sheet of posterboard is closer to $5. 
>>  Less, if I use one of the beat up pieces that I bought for backdrops a few 
>> years ago.
>>
>> I'm curious whether anyone has tried something like this, and if so, how 
>> well it works, or rather what it works well, or poorly, for.
>>
>>
>> --
>> Larry Colen l...@red4est.com sent from i4est
>>
>>
>>
>>
>>
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