That's very cool, Larry. That first shot drew me in and I greatly enjoyed the entire gallery. Very well done indeed. Congrats!
Faves: LRC51286.jpg is a great band moment. I like LRC51539.jpg as a crowd capture. LRC51635.jpg and LRC51650.jpg really capture the energy and fun. And LRC51668.jpg is very notable for the unusual light and colour. I guess this is via Lr knob twiddling, but it's really interesting and effective. Can you make a preset from that, I wonder? You could do a whole series based on that semi-solarized-look processing. On Mon, Jun 18, 2012 at 1:06 AM, Larry Colen <[email protected]> wrote: > A friend and I went to see a couple of bands at a local club last night. I > managed to get a few decent photos. > > The lighting was a bit challenging. In this shot, rather than trying to > bring it under control, I went the other way and used lightroom's clarity, > vibrance etc. to push it right over the top: > > http://www.flickr.com/photos/ellarsee/7391897310 > > For them that are interested, here's the rest of the set: > http://www.fluidr.com/photos/ellarsee/sets/72157630171300160/ > > On some of them I tried to tame the lighting in lightroom, in others I went > with it, though not so radically as above. > > Comments, and helpful suggestions, as always, are appreciated. > > I notice that I was having a fair amount of difficulty with flare on the > A*200, even when stage lights weren't in the field of view. I may need to > make something like a lens cap for the sunshade, that has a rectangle cut out > to block anything not in the field of view. > > > -- > Larry Colen [email protected] sent from i4est > > > > > > -- > PDML Pentax-Discuss Mail List > [email protected] > http://pdml.net/mailman/listinfo/pdml_pdml.net > to UNSUBSCRIBE from the PDML, please visit the link directly above and follow > the directions. -- -bmw -- PDML Pentax-Discuss Mail List [email protected] http://pdml.net/mailman/listinfo/pdml_pdml.net to UNSUBSCRIBE from the PDML, please visit the link directly above and follow the directions.
