On 8 July 2012 02:40, Stan Halpin <[email protected]> wrote:
> I would put the fixed extension tubes on the camera, then the bellows, then 
> the hellicoid, then the lens.

For a moment I had the same thought, but then I remembered that in
extreme lens extension, especially for macro work, the first
preference is to focus by moving the whole rig back and forth so you
don't disturb the reproduction ratio.  The second preference is to
move the focal plane, which in this case means the camera body ,which
the helicoid tube behind the bellows achieves.  Only if all other
options are impossible should you rack the lens out, as doing so often
means having to make gross corrections to the camera position, as well
as risking contact between the lens and the subject.

Personally, I think John's rig is probably exceeding best practice for
this lens.  He's got the lens at about 3.5x focal length extension
(231.5mm ~ 251.5mm of tube & bellows plus the 1x focal length inherent
in the lens itself)  Extending the lens helicoid itself is doing some
unknown thing, but it's not adding extension to the main focusing
group of the lens, just extending the FREE element, which in reverse
position may or may not serve any purpose.

For big magnifications an enlarging lens often does a better job
because of it's conventional symmetrical design.  Modern camera lenses
with floating elements and such can quickly get out of their
design/performance envelope when they're put into non-standard
configurations.  That said, a wide angle lens reversed can give good
results at spectacular magnifications, although YMMV.

regards, Anthony

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